tag:blogger.com,1999:blog-32875630450693047712024-03-18T11:00:59.394+01:00Gimme ShelterFabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comBlogger410125tag:blogger.com,1999:blog-3287563045069304771.post-19759795401157185912024-03-18T10:59:00.002+01:002024-03-18T11:00:22.283+01:00Shadow Challenge<p> </p><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/C4Ml4BEp_hu/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14" style="background: rgb(255, 255, 255); border-radius: 3px; border: 0px; box-shadow: rgba(0, 0, 0, 0.5) 0px 0px 1px 0px, rgba(0, 0, 0, 0.15) 0px 1px 10px 0px; margin: 1px; max-width: 540px; min-width: 326px; padding: 0px; width: calc(100% - 2px);"><div style="padding: 16px;"> <a href="https://www.instagram.com/p/C4Ml4BEp_hu/?utm_source=ig_embed&utm_campaign=loading" style="background: rgb(255, 255, 255); line-height: 0; padding: 0px; text-align: center; text-decoration: none; width: 100%;" target="_blank"> <div style="align-items: center; 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font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">Visualizza questo post su Instagram</div></div><div style="padding: 12.5% 0px;"></div> <div style="align-items: center; display: flex; flex-direction: row; margin-bottom: 14px;"><div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; transform: translateX(0px) translateY(7px); width: 12.5px;"></div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12.5px; margin-left: 2px; margin-right: 14px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px;"></div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; transform: translateX(9px) translateY(-18px); width: 12.5px;"></div></div><div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style="border-bottom: 2px solid transparent; border-left: 6px solid rgb(244, 244, 244); border-top: 2px solid transparent; height: 0px; transform: translateX(16px) translateY(-4px) rotate(30deg); width: 0px;"></div></div><div style="margin-left: auto;"> <div style="border-right: 8px solid transparent; border-top: 8px solid rgb(244, 244, 244); transform: translateY(16px); width: 0px;"></div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; transform: translateY(-4px); width: 16px;"></div> <div style="border-left: 8px solid transparent; border-top: 8px solid rgb(244, 244, 244); height: 0px; transform: translateY(-4px) translateX(8px); width: 0px;"></div></div></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"></div></div></a><p style="color: #c9c8cd; font-family: Arial, sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0px; margin-top: 8px; overflow: hidden; padding: 8px 0px 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/C4Ml4BEp_hu/?utm_source=ig_embed&utm_campaign=loading" style="color: #c9c8cd; font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">Un post condiviso da Toddler • Baby • Infants (@infantsvibe)</a></p></div></blockquote> <script async="" src="//www.instagram.com/embed.js"></script>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-46405388393848657882024-03-01T20:30:00.000+01:002024-03-01T20:30:07.351+01:00Lou & Keef<p style="text-align: center;"> <iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/5NcJvi5TYEk?si=nU4uPVRuCHLLugMa" title="YouTube video player" width="560"></iframe></p><p style="text-align: left;"></p><p class="MsoNormal">Postato poche ore fa, in onore del compleanno di Lou Reed. Un brano eccezionale dal disco di esordio dei Velvet Underground nel 1967. </p><p class="MsoNormal">Interpretato in una versione bellissima: personalmente aspettavo questo "incontro" da anni.</p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">Se Keith Richards realizzasse un album di cover di Lou Reed
ne verrebbe fuori un capolavoro. <o:p></o:p></p><p class="MsoNormal">Direi lo stesso per le cover da Tom Waits, ma con lui già ha
collaborato in tante occasioni.<o:p></o:p></p><p class="MsoNormal">-<o:p></o:p></p><p class="MsoNormal"><i>To me, Lou stood out. The real deal! Something important to
American music and to ALL MUSIC! I miss him and his dog</i>.” - Keith Richards<o:p></o:p></p><p class="MsoNormal">In
honor of Lou Reed’s birthday, Keith Richards has recorded a cover of “I’m
Waiting for the Man.” The digital single & music video are out now and
featured on the upcoming album The Power of the Heart: A Tribute to Lou Reed,
which includes newly recorded covers from Keith Richards, Joan Jett and the
Blackhearts, Rufus Wainwright, Lucinda Williams, Maxim Ludwig & Angel
Olsen, Rickie Lee Jones, Mary Gauthier, Bobby Rush, Automatic, The Afghan
Whigs, and Rosanne Cash. This special collection will be released by Light in
the Attic Records and available on Vinyl & CD at fine independent record
shops worldwide on Record Store Day (April 20th). It goes without saying that
the legendary Lou Reed was a true rock ’n’ roll pioneer. From The Velvet
Underground’s debut in 1967 all the way through the end of his days, Reed sang
truth from his heart. He lived life to the limit—and then some. The Power of
the Heart is a tribute to Reed’s freedom of expression with covers spanning his
groundbreaking years with the Velvets into his majestic solo career. Each track
is a glorious extension of the Rock ’n’ Roll Animal’s soul, ever adventurous
and avant-garde. Session footage edited by Don Fleming</p><p class="MsoNormal"><o:p></o:p></p><p style="text-align: left;">-</p><p class="MsoNormal"><b>
I'M WAITING FOR MY MAN</b><o:p></o:p></p>
<p class="MsoNormal"><i>I'm waiting for my man<br />
26 dollars in my hand<br />
Up to Lexington, 125<br />
Feel sick and dirty, more dead than alive<br />
I'm waiting for my man<o:p></o:p></i></p>
<p class="MsoNormal"><i>Hey, white boy, what you doin' uptown?<br />
Hey, white boy, you chasin' our women around?<br />
Oh pardon me sir, it's the furthest from my mind<br />
I'm just lookin' for a dear, dear friend of mine<br />
I'm waiting for my man<o:p></o:p></i></p>
<p class="MsoNormal"><i>Here he comes, he's all dressed in black<br />
PR shoes and a big straw hat<br />
He's never early, he's always late<br />
First thing you learn is that you always gotta wait<br />
I'm waiting for my man<br />
Oh, work it now<o:p></o:p></i></p>
<p class="MsoNormal"><i>Up to a brownstone, up three flights of stairs<br />
Everybody bodies pinned you, but nobody cares<br />
He's got the works, gives you sweet taste<br />
Ah, then you gotta split because you got no time to waste<br />
I'm waiting for my man<o:p></o:p></i></p>
<p class="MsoNormal"><i>Baby, don't you holler, darlin', don't you bawl and shout<br />
I'm feeling good, you know I'm gonna work it on out<br />
I'm feeling good, I'm feeling, oh, so fine<br />
Until tomorrow, but that's just some other time<br />
I'm waiting for my man<br />
Walk it home<o:p></o:p></i></p>
<p class="MsoNormal"><i>Oh, it's alright</i><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p><p class="MsoNormal"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgYz10o9_eeZn4U_IjOVDoxXjOUnzaSU0HmCaBUrGfzwPM71AdZCZYP30hpMrvnZFL_gT7NVYyyvGZFsW2hoS7AcAcFANLQ6ALURN1eaGTJDLr_lbnN_MoDV6ZywkSzp2F7rM0aFDk_WkZnh7g_Jl-8s6R3fH57qPFJYC-JHGXMS1PcibHKwKM57vj0DG_/s2048/120789184_10220420776204346_1245301790323926867_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1371" data-original-width="2048" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgYz10o9_eeZn4U_IjOVDoxXjOUnzaSU0HmCaBUrGfzwPM71AdZCZYP30hpMrvnZFL_gT7NVYyyvGZFsW2hoS7AcAcFANLQ6ALURN1eaGTJDLr_lbnN_MoDV6ZywkSzp2F7rM0aFDk_WkZnh7g_Jl-8s6R3fH57qPFJYC-JHGXMS1PcibHKwKM57vj0DG_/w640-h428/120789184_10220420776204346_1245301790323926867_n.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Lou Reed, New York, 2 marzo 1942 – New York, 27 ottobre 2013 </td></tr></tbody></table></p><p class="MsoNormal">Questa è una versione live di Lou Reed, nel '74 a Parigi</p><p class="MsoNormal"><o:p></o:p></p>
<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Nv7dvcjR0eI?si=0Q6MyrOHQ1GB2foM" title="YouTube video player" width="560"></iframe></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-60602375095757456132024-03-01T19:36:00.000+01:002024-03-01T19:36:19.022+01:00Πάνθειον <blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/reel/C39wXYiN-Lm/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/reel/C39wXYiN-Lm/?utm_source=ig_embed&utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;">Visualizza questo post su Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; 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margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"><a href="https://www.instagram.com/reel/C39wXYiN-Lm/?utm_source=ig_embed&utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;" target="_blank">Un post condiviso da designboom magazine (@designboom)</a></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-21496816440785263512023-12-31T14:07:00.000+01:002023-12-31T14:07:57.859+01:00The Clash - Bankrobber<p> </p>
<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ttJBdr6eBuo?si=ygk2rXm4FuDwI3Cd" title="YouTube video player" width="560"></iframe></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-34464444658574859232023-12-08T12:40:00.002+01:002023-12-08T12:41:10.983+01:00Suochengli Neighborhood Library<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/2xLwGUgZujQ?si=LXM3sFkXJA8uls_L" title="YouTube video player" width="560"></iframe></div><div style="text-align: center;"><p class="MsoNormal">by <a href="https://www.vectorarchitects.com/en/" target="_blank">VECTOR ARCHITECTS</a>, Yantai’s historic district Suochengli</p><p class="MsoNormal"><o:p></o:p></p></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp76Ga2GaXLW7psGcv5wd-K8AnRTwE7u_ChFw2O4-kaXjIIhwNJL8OnMy7TnmwEBHbFu9oVoaQZR_mFpto31RjbLh-NjVfGwyoBlEcdB_NHZ4JCmpTrt7NbDY778g7PQfFjqTqKGMBh7WkOvIxYDAja3V4kllZsFtyccinGb_-zCvohVxEEQlcr3NZd6Y6/s2000/vector-architects-suochengli-neighborhood-library%20(1).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="2000" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp76Ga2GaXLW7psGcv5wd-K8AnRTwE7u_ChFw2O4-kaXjIIhwNJL8OnMy7TnmwEBHbFu9oVoaQZR_mFpto31RjbLh-NjVfGwyoBlEcdB_NHZ4JCmpTrt7NbDY778g7PQfFjqTqKGMBh7WkOvIxYDAja3V4kllZsFtyccinGb_-zCvohVxEEQlcr3NZd6Y6/w640-h426/vector-architects-suochengli-neighborhood-library%20(1).jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh72uS2Y4iV05lQAdXhn7OYnAmTpRwAQ_41-L66F9W4QCpJAZy7FEgkUj4El3PDQ4qtC-SPYwQwPviMywd2AlhlGr15x-ccrvm3ehUbTg19FkR8WUWuE9fWs6yhhC0OhQlUATF1eJyAR_4YxgMm0xQ_fnObXtfhVFEHfv-iTm9PYf7-uqUbJD7lQiWXuM0g/s1920/407724956_7013908788698349_4095213563514339425_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1920" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh72uS2Y4iV05lQAdXhn7OYnAmTpRwAQ_41-L66F9W4QCpJAZy7FEgkUj4El3PDQ4qtC-SPYwQwPviMywd2AlhlGr15x-ccrvm3ehUbTg19FkR8WUWuE9fWs6yhhC0OhQlUATF1eJyAR_4YxgMm0xQ_fnObXtfhVFEHfv-iTm9PYf7-uqUbJD7lQiWXuM0g/w640-h426/407724956_7013908788698349_4095213563514339425_n.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQFDETOgMpvUUqnNeqpWnrWLbit7mLiRg-SgZhSdEh6JgprZ5nogLQeZdjT7AJ2R21ESVXmCfzr8A_60Sf2WMwVjKNQUG2ZV6LcpODd5ziJRuTJ-_7_UrWTgmjR4ihFHoQXUJchjYAw0CHE8cdO1WtJA_3AxmyP4u-iOokKKuoChdmccBq_z4RoKxKoTiq/s1504/IMG_1634.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1002" data-original-width="1504" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQFDETOgMpvUUqnNeqpWnrWLbit7mLiRg-SgZhSdEh6JgprZ5nogLQeZdjT7AJ2R21ESVXmCfzr8A_60Sf2WMwVjKNQUG2ZV6LcpODd5ziJRuTJ-_7_UrWTgmjR4ihFHoQXUJchjYAw0CHE8cdO1WtJA_3AxmyP4u-iOokKKuoChdmccBq_z4RoKxKoTiq/w640-h426/IMG_1634.png" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeDTmTz5KvWWBO-WQfPq5IcWNpi-FhJJU27FBxwzmXomTmmiPsinFtlbFd1XtDNOA2o7g_x92MMK37Vpn3VuLBZKYJH7SusFSH7oJXIeph_XBXmRFHlegozRqM0OPjtQE218GL-cKNJXbDtldVUbQJcwGx3sEMSGFRo1y50rDm1LXz1dy2K_ANRuvGRX7B/s1700/Vector-Architects-.-Suochengli-Neighborhood-Library-.-YANTAI-18.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1133" data-original-width="1700" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeDTmTz5KvWWBO-WQfPq5IcWNpi-FhJJU27FBxwzmXomTmmiPsinFtlbFd1XtDNOA2o7g_x92MMK37Vpn3VuLBZKYJH7SusFSH7oJXIeph_XBXmRFHlegozRqM0OPjtQE218GL-cKNJXbDtldVUbQJcwGx3sEMSGFRo1y50rDm1LXz1dy2K_ANRuvGRX7B/w640-h426/Vector-Architects-.-Suochengli-Neighborhood-Library-.-YANTAI-18.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9ysfLCLtqVuMbeP2gGJlQslN-vUTg_FzhD6uU09ClcdviYw_3Oxh-vhqiBEq28jxhJzxvgNhoU3oGfCmgzA5lqDe7gmnSkkCRkvwl9PB92vykP7QdyUUGLvQaCT20e63IQhvdxjFPxPm2xHdqfF9EbNpvqTwq4hYXkBfG42AEsG9LmhsURsYIbY0QAGVz/s2000/vector-architects-suochengli-neighborhood-library%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="2000" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9ysfLCLtqVuMbeP2gGJlQslN-vUTg_FzhD6uU09ClcdviYw_3Oxh-vhqiBEq28jxhJzxvgNhoU3oGfCmgzA5lqDe7gmnSkkCRkvwl9PB92vykP7QdyUUGLvQaCT20e63IQhvdxjFPxPm2xHdqfF9EbNpvqTwq4hYXkBfG42AEsG9LmhsURsYIbY0QAGVz/w640-h426/vector-architects-suochengli-neighborhood-library%20(2).jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_lVQ7azcmwXj1NcaO6rtVlFOvvq6rRaNWXzFWbbQ4C99M9zc86_puAGt8ij30Z1ogoNKIyWWAEXZGZ3jDgOpw5HmLnD-m4JwkALKgj3cI3vzErm5Y6WmP1iVwgB7JvWsrunPcLxo5G_ida-rx4ol-wmhigWPO_OKidJTK23eSaUIuqIlFpYRlL3VKosdC/s1717/av_53393.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1717" data-original-width="1512" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_lVQ7azcmwXj1NcaO6rtVlFOvvq6rRaNWXzFWbbQ4C99M9zc86_puAGt8ij30Z1ogoNKIyWWAEXZGZ3jDgOpw5HmLnD-m4JwkALKgj3cI3vzErm5Y6WmP1iVwgB7JvWsrunPcLxo5G_ida-rx4ol-wmhigWPO_OKidJTK23eSaUIuqIlFpYRlL3VKosdC/w564-h640/av_53393.webp" width="564" /></a></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-23138213574882309032023-08-20T13:32:00.002+02:002023-08-20T13:33:16.487+02:00Radiohead - Exit Music (for a Film)<p style="text-align: center;"> <iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/16izdtkzEz8" title="YouTube video player" width="560"></iframe></p><p style="text-align: center;"></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;">I Radiohead possono essere difficili da digerire: non sono per tutti,
né per tutti i momenti, ma hanno pochi confronti sia come musicisti che come
compositori. </p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;">In questa specie di Sonata al Chiaro di Luna, che alla fine esplode
come un'atomica, sono colossali.</p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;">Vale la pena di ascoltare alcune versioni di questo brano riadattate,
negli anni, per orchestra classica.</p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;">Intanto questa versione live, che é incredibilmente intensa e potente.
Merita l'ascolto, in silenzio, fino alla fine.</p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;">.</p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;">Exit Music (For a Film) è un brano dei Radiohead, scritto
specificatamente per i titoli di coda del film Romeo + Giulietta di William
Shakespeare, diretto da Baz Luhrmann.</p><p class="MsoNormal">
</p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;">Su richiesta di Thom Yorke, la canzone è assente dai due album della
colonna sonora del film, ma appare come quarta traccia nell'album OK Computer
del 1997.</p><p></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-47440612665614009552023-07-20T16:33:00.000+02:002023-07-20T16:33:03.174+02:00Sol de Marrakech<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlQ0_WC3ml-KNKmCpK4jlGYj79UWVYgpr_4mfXO_h4bbV6ACQJ475dQKZbgI96lfzEgOtNaTaPJ4TZ1wpHffG71eQfgjv-3qQp_wet2LymSLVYsLxeM4L1Fqb9ZrTjTq_dtvkLl7HOO2ddFbbs45Z238TdCZcaP6S76q_gpz6YGnh3-2Df6QY6qlNEpKFe/s1696/Sol%20de%20Marrakech.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1696" data-original-width="1132" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlQ0_WC3ml-KNKmCpK4jlGYj79UWVYgpr_4mfXO_h4bbV6ACQJ475dQKZbgI96lfzEgOtNaTaPJ4TZ1wpHffG71eQfgjv-3qQp_wet2LymSLVYsLxeM4L1Fqb9ZrTjTq_dtvkLl7HOO2ddFbbs45Z238TdCZcaP6S76q_gpz6YGnh3-2Df6QY6qlNEpKFe/w428-h640/Sol%20de%20Marrakech.jpg" width="428" /></a></div><br />"Sol de Marrakech" - Poto by Miguel Ángel García Olmo<p></p>
<p class="MsoNormal">April 1984</p>
<p class="MsoNormal"><o:p> </o:p></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-10192777362841905202023-07-17T14:06:00.001+02:002023-07-17T14:11:30.858+02:00Stavros Niarchos Foundation Cultural Center<div style="text-align: left;"><a href="https://www.snfcc.org/en" target="_blank">Stavros Niarchos Foundation Cultural Center</a></div><div class="separator" style="clear: both; text-align: left;">
<p class="MsoNormal"><a href="http://www.rpbw.com/" target="_blank">Renzo Piano Building Workshop</a></p>
<p class="MsoNormal">Atene, 2008-2016</p><div class="separator" style="clear: both;">.</div>
<p class="MsoNormal">Architettura e città. Un pezzo nuovo di Atene, aperto e
vissuto tutto il giorno.</p>
<p class="MsoNormal">Questo potere bellissimo che ha l'architettura, di regalare
dei luoghi. Prima c'era un ippodromo. Ora c'è un affaccio sull'Egeo, su Atene,
su un parco. E 10.000mq di fotovoltaico, in copertura.</p>
<p class="MsoNormal"><o:p> </o:p>(click to enlarge the photos)</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6Z5_KS8VBny6quVhwCF1N57WxV5pXJaNTH0obdd5HcCFvO_nh_gyP3QQZD915BidrLoSgc3LhtENLZfQBDPB7Nl6ognIkGFrJjdz77vw-oVr27gkseyV3_Tos2weONnGJ3bIhXL9W3hsoNHasuCAGpYzm2qdyd9we6ZGuyR_GM-PdN5u1IX2R3Wqu9GuP/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(5).jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1365" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6Z5_KS8VBny6quVhwCF1N57WxV5pXJaNTH0obdd5HcCFvO_nh_gyP3QQZD915BidrLoSgc3LhtENLZfQBDPB7Nl6ognIkGFrJjdz77vw-oVr27gkseyV3_Tos2weONnGJ3bIhXL9W3hsoNHasuCAGpYzm2qdyd9we6ZGuyR_GM-PdN5u1IX2R3Wqu9GuP/w640-h426/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(5).jpeg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirtL2n6mI-mYp4QocjEC6RpY0IGHMeBjEA8jD51xv4a5A1pgscnpvIW6WRDMJSpa57T5-mkV5JPBkgoU3nNNhH6peSuy39rvnBm3_xmkqi_Cb7usqWt8lbPh0MeWYc7vkjyNx2DxIW1MtJP9H2irq061WEPkzvZ0Zne_BxxuE4rFJnMkIRUNDdHytZ3uPu/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(9).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1320" data-original-width="2048" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirtL2n6mI-mYp4QocjEC6RpY0IGHMeBjEA8jD51xv4a5A1pgscnpvIW6WRDMJSpa57T5-mkV5JPBkgoU3nNNhH6peSuy39rvnBm3_xmkqi_Cb7usqWt8lbPh0MeWYc7vkjyNx2DxIW1MtJP9H2irq061WEPkzvZ0Zne_BxxuE4rFJnMkIRUNDdHytZ3uPu/w640-h412/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(9).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></span></td></tr></tbody></table></div><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHZ4rxddS53-wf119a1VkP8j1eHaZmfas9PB48lWa4ReQPucV8Q4HonULS3j8-q9L3v9zkNJlUiTRlZAUUWtXBO6natJkYjwcFHal-OwUVMP8_81sWGBzrPyVgxXONKYiH7s1-ZjaqA6k2-SS6jLnsQiboGwQKFYYW3buyEKcEEw8RoIJOjlUNaCw8PV8s/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(15).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1290" data-original-width="2048" height="404" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHZ4rxddS53-wf119a1VkP8j1eHaZmfas9PB48lWa4ReQPucV8Q4HonULS3j8-q9L3v9zkNJlUiTRlZAUUWtXBO6natJkYjwcFHal-OwUVMP8_81sWGBzrPyVgxXONKYiH7s1-ZjaqA6k2-SS6jLnsQiboGwQKFYYW3buyEKcEEw8RoIJOjlUNaCw8PV8s/w640-h404/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(15).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdtzz8bquBiKMCYAgmLUJ4X8B9BdyRLh6z28UCxmjypsp97T8P2Jh49S2mzIerHQ5YcUSVQxn9lc4BGOfeXhrvg2lYf2rQ1qu31glKaSueqVyrBY1mr2eCNHmxLhP3Ig-GXZvdTmqKUzr65DrlFLuCgVs5vOlPfPs0Obc4Lv3E-LMBXjVganvetJeAde2f/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(3).jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1209" data-original-width="2048" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdtzz8bquBiKMCYAgmLUJ4X8B9BdyRLh6z28UCxmjypsp97T8P2Jh49S2mzIerHQ5YcUSVQxn9lc4BGOfeXhrvg2lYf2rQ1qu31glKaSueqVyrBY1mr2eCNHmxLhP3Ig-GXZvdTmqKUzr65DrlFLuCgVs5vOlPfPs0Obc4Lv3E-LMBXjVganvetJeAde2f/w640-h378/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(3).jpeg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9OgLdvcEXowIILhNByD1tA9_zfESVBZYmOpYxfl8XZCctyrcQPb0TIyBGg3jbR44GNXGB9JUfSmvvLot0FKdYzyBGnoRbo_TOgINXhYMkb-06ID6irkVgsWxEI6C2qKxD7N0qDi5rZLma1cu5-ObRvYcjATItExVz8HOirYbqK7PxhFz3hOYCb7C-mxjf/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(2).jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1365" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9OgLdvcEXowIILhNByD1tA9_zfESVBZYmOpYxfl8XZCctyrcQPb0TIyBGg3jbR44GNXGB9JUfSmvvLot0FKdYzyBGnoRbo_TOgINXhYMkb-06ID6irkVgsWxEI6C2qKxD7N0qDi5rZLma1cu5-ObRvYcjATItExVz8HOirYbqK7PxhFz3hOYCb7C-mxjf/w640-h426/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(2).jpeg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></span></td></tr></tbody></table><p></p><p class="MsoNormal" style="text-align: justify;">"The <a href="http://www.snf.org/en/newsroom/news/2018/04/the-snf-in-3-minutes/">Stavros
Niarchos Foundation</a> (SNF) is one of the world’s leading private,
international philanthropic organizations, making grants to nonprofit
organizations in the areas of arts and culture, education, health and sports,
and social welfare. SNF funds organizations and projects worldwide that aim to
achieve a broad, lasting, and positive impact for society at large, and exhibit
strong leadership and sound management. The Foundation also supports projects
that facilitate the formation of public-private partnerships as an effective
means for serving public welfare."</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaVwnlzBvM5DWZpcV7f-fOXDLhiJGN4kpOfRuzpvyHB_99xfKxnUcBflmGfER-8EMGWN7bhBh6XfplyFoc0Gj9MzOKnj88za8SxsTNHPFHo8ABGOhbg4_PdlL-tj9wfriIFh22SR-ks7yRE8yu1CsqZWUJ9mccJKB9b9KkZTVh0cbXI7UTeF4L4BdIvTzq/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(1).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1365" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaVwnlzBvM5DWZpcV7f-fOXDLhiJGN4kpOfRuzpvyHB_99xfKxnUcBflmGfER-8EMGWN7bhBh6XfplyFoc0Gj9MzOKnj88za8SxsTNHPFHo8ABGOhbg4_PdlL-tj9wfriIFh22SR-ks7yRE8yu1CsqZWUJ9mccJKB9b9KkZTVh0cbXI7UTeF4L4BdIvTzq/w640-h426/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(1).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvPKRN4zUiPjUXtDJGiCRhsrgRY43hYiOibHKz4p8xxMX-FzjSj0hjKaDkiRyeXpzXFFG10LsYrZ9ITj2BWi5gDYp1iVRd1ImczZ2J6KTdLsAxeFCApxvuQZl5JlSsarM70CynKTVql-aatVtE_4fRGyy_7s-yc5pouza5EZlhiUtT56WJTGF1kkW5sVL3/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(2).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1365" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvPKRN4zUiPjUXtDJGiCRhsrgRY43hYiOibHKz4p8xxMX-FzjSj0hjKaDkiRyeXpzXFFG10LsYrZ9ITj2BWi5gDYp1iVRd1ImczZ2J6KTdLsAxeFCApxvuQZl5JlSsarM70CynKTVql-aatVtE_4fRGyy_7s-yc5pouza5EZlhiUtT56WJTGF1kkW5sVL3/w640-h426/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(2).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_VQtruc_rRUmRk7vi6zdab85Ba1VqZCcQHw-TZJWEkGM6ikX0Y_8-gFTfTK8ajczOEGbMu6BXFWszGOKFVdr8pirsKGdmzF7E4UswIdUASG-MyQnPPI-sjWRuwt_-32xT3XFEZ4XWUTWvRmj0yX5nKZ4hx3_QxBL1iXRA6zGq23287hdIfta_9G9fgqEW/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(5).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_VQtruc_rRUmRk7vi6zdab85Ba1VqZCcQHw-TZJWEkGM6ikX0Y_8-gFTfTK8ajczOEGbMu6BXFWszGOKFVdr8pirsKGdmzF7E4UswIdUASG-MyQnPPI-sjWRuwt_-32xT3XFEZ4XWUTWvRmj0yX5nKZ4hx3_QxBL1iXRA6zGq23287hdIfta_9G9fgqEW/w640-h480/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(5).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari<br /></span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx2iMZVg8stmAvBWNlh8Zc1YX2k1Zsbsrh2zDLJX6SqLbxoKi6iyuGUsabcV5YHGNpbaTz9NcO7BbKDGo9zUIFZLh-cZBO4GDXgVUrcNrqeZoI5jX3337uu5FKax8iH5_--mJasPp40vdNQi6puamQzo2NpVb0uThqB35dTuqUpv08Me-xMn59O7mSbswx/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(4).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx2iMZVg8stmAvBWNlh8Zc1YX2k1Zsbsrh2zDLJX6SqLbxoKi6iyuGUsabcV5YHGNpbaTz9NcO7BbKDGo9zUIFZLh-cZBO4GDXgVUrcNrqeZoI5jX3337uu5FKax8iH5_--mJasPp40vdNQi6puamQzo2NpVb0uThqB35dTuqUpv08Me-xMn59O7mSbswx/w640-h480/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(4).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></span></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0MCHSEMZ9_X98ebMyVPLAF7PhmXNq8_i-X2j62g4pLBIAMqhQjEVdzG-kg5ckXLgV4zqS3jteVezh4AgXIYVZn-yH0ijgCvMkiHs0nc-FE_FNDioaK-WjWU_Iyk14MkZm63Ib1i2LuXPklrIa7oPjdT3Gwz3nI_pO3aLFM0ykDvHT9cCf8ozeeSP5zkq9/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(6).jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1195" data-original-width="2048" height="374" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0MCHSEMZ9_X98ebMyVPLAF7PhmXNq8_i-X2j62g4pLBIAMqhQjEVdzG-kg5ckXLgV4zqS3jteVezh4AgXIYVZn-yH0ijgCvMkiHs0nc-FE_FNDioaK-WjWU_Iyk14MkZm63Ib1i2LuXPklrIa7oPjdT3Gwz3nI_pO3aLFM0ykDvHT9cCf8ozeeSP5zkq9/w640-h374/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(6).jpeg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: right;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></span></td></tr></tbody></table><br /><div>All'interno della Niarchos, trovano posto la nuova <span style="font-family: inherit;">Greek National Opera di 33.000 m² e la </span><span style="font-family: inherit;">Biblioteca Nazionale di 24.000 m², in grado di ospitare 750.000 volumi. Tutto è coperto da un p</span><span style="font-family: inherit;">arco su una collina artificiale di circa 17 ettari.</span><span style="font-family: inherit;"><br /></span><br /><div style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiVaZNzd_sZrbQ1GpkaFmClsyYvNX-2BCGUG3erbQpM92jG_qH1luD1CM9Oew1QAlo-jqaIzOggv-F67EkoPlnViTkAwxD8Nwe0CjHMlNXbhiKPDikDRwjh7mHnvjjKscN8fy9VavWE5c6ha5BAA5FPtKg2XRju99RL4LopLdBpCUunWf-9kOoWuHo5uWr/s850/GD2-1047_(Large).jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="567" data-original-width="850" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiVaZNzd_sZrbQ1GpkaFmClsyYvNX-2BCGUG3erbQpM92jG_qH1luD1CM9Oew1QAlo-jqaIzOggv-F67EkoPlnViTkAwxD8Nwe0CjHMlNXbhiKPDikDRwjh7mHnvjjKscN8fy9VavWE5c6ha5BAA5FPtKg2XRju99RL4LopLdBpCUunWf-9kOoWuHo5uWr/w640-h426/GD2-1047_(Large).jpg" width="640" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-Klge1UVYjP946bzBjAS-fihFVJNo7mAfKyDNe8dfxnlGATQsmw_Ok84UIwR6tMe_zI-4cE167-RX3pK1MhAtj4fFUeZJlRmDNUeXA4N1RovyEL7QlXQfikvJsn7PyC861Vc3i3WxjUDFjyh0tFcgHehzKCy4Eyt33u_I2YYTYziOoB09oQYiUDbG8Vz2/s1920/%C2%A9%20%CE%95%CE%92%CE%95_%CE%9D%CE%AF%CE%BA%CE%BF%CF%82%20%CE%9A%CE%B1%CF%81%CE%B1%CE%BD%CE%B9%CE%BA%CF%8C.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1280" data-original-width="1920" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-Klge1UVYjP946bzBjAS-fihFVJNo7mAfKyDNe8dfxnlGATQsmw_Ok84UIwR6tMe_zI-4cE167-RX3pK1MhAtj4fFUeZJlRmDNUeXA4N1RovyEL7QlXQfikvJsn7PyC861Vc3i3WxjUDFjyh0tFcgHehzKCy4Eyt33u_I2YYTYziOoB09oQYiUDbG8Vz2/w640-h426/%C2%A9%20%CE%95%CE%92%CE%95_%CE%9D%CE%AF%CE%BA%CE%BF%CF%82%20%CE%9A%CE%B1%CF%81%CE%B1%CE%BD%CE%B9%CE%BA%CF%8C.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Photo © ΕΒΕ_Νίκος Καρανικό</span></td></tr></tbody></table><div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Il confronto di Renzo Piano, alla scala urbana, è direttamente con l'Acropoli. L'area si trova sullo stesso asse che collega il colle del Partenone con il Mare. In questo modo va a consolidare una di quelle direttrici di collegamento tra emergenze urbane e architettoniche, alla maniera della Roma degli obelischi di Sisto V, dando significato e struttura a tutto quello che accadrà in futuro lungo questo asse.</div><div style="text-align: justify;">Si sale sulla collina artificiale di questo nuovo parco che raccoglie <span style="text-align: left;">fragranze di lavanda, rosmarino, timo, olivi e
altre essenze solo autoctone: a</span>rrivati in cima al parco, più che la vista sul mare merita davvero la vista su Atene, che è splendida, nonostante tutte le sue difficoltà. </div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbCuDUN2HXzwssyBP0Vg1q5UB0iEIpNNfgJfsjW1N0C68yci2XhqRB-qYsHnQCBZeY1IWJIZpOiQzgHRtbKYO7hGbaB3Lxh2JJZX1fleSPEre4K8oPYtczr6NRZfBmS30oiJ0pxtvfeflG2W1YgTCyq4tAn4Q1-r1r9QcJ0DaK20lq-zDbY3TVmHox6KDK/s1577/Niarchos%20Foundation%20-%20Athens.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="835" data-original-width="1577" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbCuDUN2HXzwssyBP0Vg1q5UB0iEIpNNfgJfsjW1N0C68yci2XhqRB-qYsHnQCBZeY1IWJIZpOiQzgHRtbKYO7hGbaB3Lxh2JJZX1fleSPEre4K8oPYtczr6NRZfBmS30oiJ0pxtvfeflG2W1YgTCyq4tAn4Q1-r1r9QcJ0DaK20lq-zDbY3TVmHox6KDK/w640-h338/Niarchos%20Foundation%20-%20Athens.jpg" width="640" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFy2zx0Jmf6VsuA1Pe_Jai_rxOQ4qsGF3N4u6KHhsXSOUYUN0PKQdYvGnH63njSmbTda4WMvZUw-MtyYowoG7ZaZs00TuLWbU4rDoAM22dL6winjHA4aXqcZIaTLtEniKxU2zd_P3eA8HJ_TXKfd8iaMBetAszEWhxhysuSdStWz89C3uyOhZSS0UlOU04/s1100/Renzo%20Piano%20-%20Niarchos%20-%20Sketch.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="778" data-original-width="1100" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFy2zx0Jmf6VsuA1Pe_Jai_rxOQ4qsGF3N4u6KHhsXSOUYUN0PKQdYvGnH63njSmbTda4WMvZUw-MtyYowoG7ZaZs00TuLWbU4rDoAM22dL6winjHA4aXqcZIaTLtEniKxU2zd_P3eA8HJ_TXKfd8iaMBetAszEWhxhysuSdStWz89C3uyOhZSS0UlOU04/w640-h452/Renzo%20Piano%20-%20Niarchos%20-%20Sketch.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Renzo Piano sketch</span></td></tr></tbody></table><p class="MsoNormal" style="text-align: justify;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyxu2swtEdEwHMb6GNGAMCsGBV8nPpRoEZFeE4BmaKACZS22RIXxSXUa3U-3WCFXyFX247xo4ehjcPGQBPrEZxYoZ930VkqZijYNo83uOHECuhDvJVKhY_rUTOyQPncuFw8TOYsq2KXyEY/s2048/rpbw-michel-denance-yiorgis-yerolymbos-stavros-niarchos-foundation-cultural-centre.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1366" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyxu2swtEdEwHMb6GNGAMCsGBV8nPpRoEZFeE4BmaKACZS22RIXxSXUa3U-3WCFXyFX247xo4ehjcPGQBPrEZxYoZ930VkqZijYNo83uOHECuhDvJVKhY_rUTOyQPncuFw8TOYsq2KXyEY/w640-h426/rpbw-michel-denance-yiorgis-yerolymbos-stavros-niarchos-foundation-cultural-centre.jpg" width="640" /></a></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ_gENrF82_taLNDyAoSw6WixVLOnaWQiANb34b-eGzz2UqDVu8IRb3WvRmFxOK4v1c2861Odq8qWwph0Cyqdyp0v2HhLFlNm6tZqPAEwk69C0-IpfsWB5UMYHFLwWCNKxWfFNkCMresRS/s1440/imagegen.ashx_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="1440" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ_gENrF82_taLNDyAoSw6WixVLOnaWQiANb34b-eGzz2UqDVu8IRb3WvRmFxOK4v1c2861Odq8qWwph0Cyqdyp0v2HhLFlNm6tZqPAEwk69C0-IpfsWB5UMYHFLwWCNKxWfFNkCMresRS/w640-h426/imagegen.ashx_.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjob9YOtd1Ugv22HYens2Uo-zs98xPyw_Up3rEHfQsV0mlaSHEGt003D9mf1VSGCOiiIpsrHXy0rq-a86Xdh5Z_RDBp45c9lFWZeBKjUOj1lu9RVJy_WHZ11DT_unjo05CUVPMQXkmqfANW/s1800/DSC02659.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1800" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjob9YOtd1Ugv22HYens2Uo-zs98xPyw_Up3rEHfQsV0mlaSHEGt003D9mf1VSGCOiiIpsrHXy0rq-a86Xdh5Z_RDBp45c9lFWZeBKjUOj1lu9RVJy_WHZ11DT_unjo05CUVPMQXkmqfANW/w640-h426/DSC02659.jpg" width="640" /></a></div><p></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">"C’è un gabbiano lassù e dal culmine del pennone, che svetta
a 40 metri proprio sul nuovo "Centro culturale di Atene", vede com’è
fatto il mondo: </span><span style="font-family: inherit;">da una parte migliaia di case e casette bianchissime
affastellate a formare un fitto ordito urbano; dall’altra, l’azzurro del mare,
l’immenso mare solcato, secondo gli antichi lirici greci, da “vele nere”. Da un
lato vive l’uomo, dall’altro verso il mare corrono le sue speranze. La tanto
bistrattata Atene del debito con l’Europa, la città prossima al fallimento
assieme all’intera Grecia tenta di risollevarsi. Qualcosa si muove, anche se la
crisi è pesante, si torna a credere nel futuro. È passato un anno
dall’inaugurazione del <a href="https://www.snfcc.org/en" target="_blank">Centro culturale della Fondazione Stavros Niarchos</a>,
l’opera greca di Renzo Piano che rappresenta il simbolo di una possibile
rinascita. Finanziatore greco e creatori ed esecutori italiani: quasi un’alleanza
mediterranea fondata sul Maestro del Beaubourg ed un grande costruttore di
infrastrutture sparse nel mondo.</span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">Il progetto prevede la costruzione <o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"></p><ul><li><span style="font-family: inherit;">della Greek National Opera di 33.000 m², che include un
teatro principale da 1400 posti ed un teatro sperimentale da 400 posti; </span></li><li><span style="font-family: inherit;">della Biblioteca Nazionale di 24.000 m², in grado di
ospitare 750.000 volumi e </span></li><li><span style="font-family: inherit;">di un Parco a collina di circa 170.000 m² con 1.500 m² di
edifici. </span></li></ul><p></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">Costruito sui terreni del vecchio ippodromo di Atene in
un’area di 23 Ettari, il Centro sorge nel quartiere Kallithea, vicino al mare,
e proprio nella relazione con il mare e nel rispetto dei principi di
sostenibilità ambientale, ha i suoi punti di forza. Uno dei temi principali
affrontati dal Centro Culturale Stavros Niarchos è quello delle prestazioni
ambientali e della sostenibilità.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">L’elemento sicuramente più caratterizzante da questo punto
di vista è il cosiddetto <b>Energy Canopy</b>. Questa copertura è un elemento chiave
del progetto: un capolavoro architettonico, costruita con la tecnica del ferrocemento,
per dimensioni e complessità statica è da considerare un unicum, mai
realizzato, ad oggi, nel mondo. Forse più che una vela – riflette Renzo Piano –
potrebbe sembrare un tappeto volante».<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">«Si tratta di un ettaro sospeso per aria del peso di 3500
tonnellate sostenuto da trenta colonne d’acciaio del diametro massimo di trenta
centimetri, una lama in ferrocemento – un pezzo di bravura del costruttore
Salini Impregilo – «lucida come il cofano di una Cadillac» secondo il desiderio
di Piano.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">L’<b>Energy Canopy</b>, in pieno sole, è ricoperto da 5560 pannelli
fotovoltaici pronti a catturare l’energia necessaria all’intero impianto che si
reso così autosufficiente. Questa e altre soluzioni innovative in termini di
sostenibilità ambientale hanno permesso al Centro di ricevere la certificazione
“Platinum”, il rating più elevato previsto dal LEED (Leadership in Energy and
Environmental Design, la più prestigiosa al mondo nel settore delle
costruzioni). Il Centro ha ricevuto anche l'European Solar Awards 2017,
assegnato da Eurosolar (European Association for Renewable Energy) per il modo
innovativo in cui la struttura risponde al suo fabbisogno energetico
quotidiano, generando energia attraverso il tetto.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">Per la pavimentazione del’’<b>Agorà</b>, che fa da connessione tra
gli edifici dell’Opera e della Library, è stato utilizzato il marmo Dionysos,
tipico marmo di prima scelta della zona di Atene. L’Agorà richiama il concetto
della Cavea dell’Auditorium di Roma: scenari per l’incontro. «In entrambi i
casi – spiega Renzo Piano – il fine del progetto è quello di far stare insieme
tante persone, anche senza uno scopo preciso. Le opere con destinazione
pubblica hanno infatti una funzione fecondatrice dei rapporti umani. E aggiunge:
«L’architettura non deve essere un gesto, ma deve servire a fare stare insieme
la gente».</span><span style="font-family: inherit;">”</span></p><p class="MsoNormal" style="text-align: justify;"><o:p></o:p></p><p class="MsoNormal">_<a href="https://www.facebook.com/sarapatrizia.tortoriello" target="_blank">Sarapatrizia Tortoriello</a>, 2017</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4lyIK496dIqxr8qlvDMZyY_b_XDnxR2wrWKVHwlCpbnOC5qtEYWkq5y2Gzbk4Mou0AbqtD6yIhtQEHnIVl9RRk0QYZs8AvOxERod_JsY1mFhxYoqLWOlhJcRnKuTpSPQc6dHz6td1pOwKbt90YBpYrg_vl_gAo2pgXwittu8QQ-xfOVJ7ru19a2UEGl9z/s2048/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(3).jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4lyIK496dIqxr8qlvDMZyY_b_XDnxR2wrWKVHwlCpbnOC5qtEYWkq5y2Gzbk4Mou0AbqtD6yIhtQEHnIVl9RRk0QYZs8AvOxERod_JsY1mFhxYoqLWOlhJcRnKuTpSPQc6dHz6td1pOwKbt90YBpYrg_vl_gAo2pgXwittu8QQ-xfOVJ7ru19a2UEGl9z/w640-h480/Niarchos%20-%20%C2%A9%20Fabio%20Barilari%20(3).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Photo © Fabio Barilari</span></td></tr></tbody></table><p class="MsoNormal">Il nuovo complesso urbano, con il suo parco, vive quasi 24 ore al giorno. Restituisce un senso e un valore ad una porzione enorme della città, decongestionandone il centro storico</p><p class="MsoNormal"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKmF-gxgYsX1u050WCEuelbOyrpZkwejfH8r7-zWcZVoGi_gGDNiM-lmP4vPM02RK1D8I0v4uha_v-Nj36pSYOlw2VVmhdUQT5lxVIB5kbRg9dXHu4p9b6hRBVynhyLht2r59ulaiHUVeQ/s2048/Arch2O-stavros-niarchos-foundation-cultural-center-snfcc-renzo-piano-building-workshop-architects-10-2263x1600.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1448" data-original-width="2048" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKmF-gxgYsX1u050WCEuelbOyrpZkwejfH8r7-zWcZVoGi_gGDNiM-lmP4vPM02RK1D8I0v4uha_v-Nj36pSYOlw2VVmhdUQT5lxVIB5kbRg9dXHu4p9b6hRBVynhyLht2r59ulaiHUVeQ/w640-h452/Arch2O-stavros-niarchos-foundation-cultural-center-snfcc-renzo-piano-building-workshop-architects-10-2263x1600.jpg" width="640" /></a></p><p class="MsoNormal"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD9TTWE18Yni9ue-c6reI-h3i_zT24vzIeqyk7Y9AmrvM_OLeOQSkYg8EabAPoI1yZn-Wqnx8LNLFUArOfR_cWgdz2km7i_L7e9ltV69UmkCjWZlK7SEgkqJpewbSUn-ose4edxvUAvycYKCtd84BMFPTAu5aqgJQxOM31FG1w8O0gqseiVv0q3NAZ69br/s1191/RPBW_ATH_A1_1000_ER02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="842" data-original-width="1191" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD9TTWE18Yni9ue-c6reI-h3i_zT24vzIeqyk7Y9AmrvM_OLeOQSkYg8EabAPoI1yZn-Wqnx8LNLFUArOfR_cWgdz2km7i_L7e9ltV69UmkCjWZlK7SEgkqJpewbSUn-ose4edxvUAvycYKCtd84BMFPTAu5aqgJQxOM31FG1w8O0gqseiVv0q3NAZ69br/w640-h452/RPBW_ATH_A1_1000_ER02.jpg" width="640" /></a></div><p class="MsoNormal">Le immagini qui sotto invece sono di Atene: mostrano anche il progetto, ma soprattutto la città nel quale si è andato ad inserire.</p>
<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/9Dm57Ed-2KU" title="YouTube video player" width="560"></iframe></div></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br />Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comLeof. Andrea Siggrou 364, Kallithea 176 74, Grecia37.9395749 23.69144299.6293410638211512 -11.464807100000002 66.249808736178835 58.8476929tag:blogger.com,1999:blog-3287563045069304771.post-60490422082770381132023-06-19T15:25:00.001+02:002023-06-19T15:25:20.609+02:00Fight For Your Right<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMLG3ChCk-ORbVAev42PPDINx9Hhh63qkP_si3zOxy9iwJhBvDXlhthtAysPighCSG6R8YSrkUf4v0_Y6svaa_WA-ly60K3L_pWhgLgoSPSEqZ8QuSiT64-g_cDTw8TIeV1GjmEqTn_GY_cKA6tD2ZUiBEjueaWknUFfN5Ux2ECe_cMFBLTfAxGX5_7fKj/s787/355156095_10226206919494312_4300340183282363218_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="787" data-original-width="639" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMLG3ChCk-ORbVAev42PPDINx9Hhh63qkP_si3zOxy9iwJhBvDXlhthtAysPighCSG6R8YSrkUf4v0_Y6svaa_WA-ly60K3L_pWhgLgoSPSEqZ8QuSiT64-g_cDTw8TIeV1GjmEqTn_GY_cKA6tD2ZUiBEjueaWknUFfN5Ux2ECe_cMFBLTfAxGX5_7fKj/w520-h640/355156095_10226206919494312_4300340183282363218_n.jpg" width="520" /></a></div>I agree.<p></p><p class="MsoNormal">.</p><p class="MsoNormal">"Everything you can imagine is real" _ Pablo Picasso</p><p> </p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-37429927341168848802023-06-10T13:52:00.002+02:002023-06-10T13:54:44.937+02:00David Spriggs<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUd4laVVJwnMsvMgEuxErtd3xJIDow46oSD7qxJSsE63sBdNu-OsNn1rYcB5G_5nT08CT0lOsfg_jP4VNDySJCB7EMRFUvSm6RwizyNqSnwAuz5VKpSmXXkINZurjq1G8IkuBObGKq9iEgiUVGnulwB-ZSLix9FiNzFPEsZHRctKmyj6IsLO2fuGX5sQ/s2048/E_tCpkTVIAQQK6k%20(1).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1360" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUd4laVVJwnMsvMgEuxErtd3xJIDow46oSD7qxJSsE63sBdNu-OsNn1rYcB5G_5nT08CT0lOsfg_jP4VNDySJCB7EMRFUvSm6RwizyNqSnwAuz5VKpSmXXkINZurjq1G8IkuBObGKq9iEgiUVGnulwB-ZSLix9FiNzFPEsZHRctKmyj6IsLO2fuGX5sQ/w640-h426/E_tCpkTVIAQQK6k%20(1).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">David Spriggs | First Wave, 2021, Acrylic paint on layered transparencies, lightbox, framework<br /><br /></td></tr></tbody></table>"The artwork of David Spriggs lies in a space between the 2
and 3 dimensions. In his work he explores phenomena, space-time and movement,
colour, visual systems and surveillance, the strategies and symbols of power,
and the thresholds of form and perception. Spriggs is known internationally for
his unique large-scale 3D ephemeral-like installations that use a technique he
pioneered in 1999 layering transparent images."<p>- from <a href="https://davidspriggs.art/" target="_blank">David Spriggs</a> website</p><p class="MsoNormal"><o:p></o:p></p>
<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/izEfMii2D9c" title="YouTube video player" width="560"></iframe></div><div style="text-align: center;">Art from i/o - David Spriggs & Peter Gabriel</div><div><br /></div>
<iframe allow="autoplay; fullscreen; picture-in-picture" allowfullscreen="" frameborder="0" height="360" src="https://player.vimeo.com/video/774047420?h=88611f0391" width="640"></iframe><div><br /><div class="separator" style="clear: both; text-align: left;">‘Black & White’ is David Spriggs’ new addition to his large-scale ‘Stratachrome’ (layered colour) installations, each exploring the contemporary symbolism of colour and their aesthetic, perceptual and psychological implications. </div><div class="separator" style="clear: both; text-align: center;"><p class="MsoNormal"></p><div style="text-align: left;">The installation is made with spray-painted pigment on 90 transparencies layered through the architectural space. The title of the work refers also to the psychology of ‘black and white’ thinking or splitting; a destructive thought pattern of thinking in absolutes. Spriggs separates the colours into visually opposing entities that lead the viewer to navigate centrally between them and observe the artwork from multiple viewpoints.</div><o:p></o:p><p></p><p class="MsoNormal"></p><div style="text-align: left;">Video Music by Jonathan Fitas 'New Land - Ingenuous Extended Remix'</div><div style="text-align: left;">Curator: Dorothy Di Stefano</div><div style="text-align: left;"><br /></div></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz-qjw7vxhSRaaPw7CqAz6ChCUnoV1oRDZhfBbtl5ZXZw-BVsIs265LLMQaxiv1kZH5ypUrkTAMM3vt-gJqPKBujqXkPvMTXFw6HYEC44hxic7WYFTpkSVZ7ofxBQgT3nICfCViKsCXEVEEkVRfu4r8P_YbrXDfBNJBqLZZjptiaYt2HgnRonjSEnLuA/s1500/First%20Wave,%202021,%20Acrylic%20paint%20on%20layered%20transparencies,%20lightbox,%20framework.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz-qjw7vxhSRaaPw7CqAz6ChCUnoV1oRDZhfBbtl5ZXZw-BVsIs265LLMQaxiv1kZH5ypUrkTAMM3vt-gJqPKBujqXkPvMTXFw6HYEC44hxic7WYFTpkSVZ7ofxBQgT3nICfCViKsCXEVEEkVRfu4r8P_YbrXDfBNJBqLZZjptiaYt2HgnRonjSEnLuA/w640-h426/First%20Wave,%202021,%20Acrylic%20paint%20on%20layered%20transparencies,%20lightbox,%20framework.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">David Spriggs | First Wave, 2021, Acrylic paint on layered transparencies, lightbox, framework</td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlnKDyNMU_4tGnpigV4WZHmRZlk56N7L0_zUUJmjBhFH92ibbbooGuoQjA7UoqglXIr44KpZHzHsyGRHAeatgfcxXdO7LPvrFWnDuR57Id6NzpF5ncOWsiN04ZsM0iawmtsiOK61sFmoY_ad5q3K5Y3GKxCkcwJLv-5s2nx5nSLtyAYua4urp9EZgPIg/s1500/David-Spriggs-Stratachrome-Green-01.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlnKDyNMU_4tGnpigV4WZHmRZlk56N7L0_zUUJmjBhFH92ibbbooGuoQjA7UoqglXIr44KpZHzHsyGRHAeatgfcxXdO7LPvrFWnDuR57Id6NzpF5ncOWsiN04ZsM0iawmtsiOK61sFmoY_ad5q3K5Y3GKxCkcwJLv-5s2nx5nSLtyAYua4urp9EZgPIg/w640-h426/David-Spriggs-Stratachrome-Green-01.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">David Spriggs | Stratachrome Green</td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlnKDyNMU_4tGnpigV4WZHmRZlk56N7L0_zUUJmjBhFH92ibbbooGuoQjA7UoqglXIr44KpZHzHsyGRHAeatgfcxXdO7LPvrFWnDuR57Id6NzpF5ncOWsiN04ZsM0iawmtsiOK61sFmoY_ad5q3K5Y3GKxCkcwJLv-5s2nx5nSLtyAYua4urp9EZgPIg/s1500/David-Spriggs-Stratachrome-Green-01.jpg" style="margin-left: 1em; margin-right: 1em;"></a></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-24951007996578300042023-05-26T18:35:00.004+02:002023-05-26T18:50:48.447+02:00Tina<p>Era già la regina, quando tutti gli altri dovevano
ancora arrivare.</p><p class="MsoNormal"><o:p></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkYFiI0-CSwHcTLzD3wO7a4vhr-806Cu4unTfNWFKBBmMS68lN0XAp7EHED7c_Wm3s5FvHA9x7bf-f39d3XacHJA42-b9A7oAed1gZPICUSJIscLvvM7IDzjsi-S8b7WBwmkYiJlSp7nVdP7Sl0eFlB8nAtrZlziLaQQXCGHS7__-Hk2UwkvDbYCjDbw/s4748/rs-197078-500730817.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3385" data-original-width="4748" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkYFiI0-CSwHcTLzD3wO7a4vhr-806Cu4unTfNWFKBBmMS68lN0XAp7EHED7c_Wm3s5FvHA9x7bf-f39d3XacHJA42-b9A7oAed1gZPICUSJIscLvvM7IDzjsi-S8b7WBwmkYiJlSp7nVdP7Sl0eFlB8nAtrZlziLaQQXCGHS7__-Hk2UwkvDbYCjDbw/w640-h456/rs-197078-500730817.jpg" width="640" /></a></div><p class="MsoNormal">Prima che Lennon e McCartney si incontrassero, prima degli Stones, di Jimi Hendrix, Woodstock, Pink Floyd, Velvet Underground, Who... Nel 1958 già incideva: <a href="https://www.youtube.com/watch?v=8YN1AB5snUQ" target="_blank">Boxtop</a>. 4 anni dopo il primo disco di Elvis Presley e non molti anni dopo le prime chitarre elettriche commercializzate.</p><p class="MsoNormal">Giusto per scegliere un brano, posto questo "River Deep - Mountain High", che per me è uno dei pezzi piú potenti che conosco in musica. Va ascoltato a volume alto, dall'inizio alla fine: é letteralmente un'onda
di piena che lascia senza fiato. </p>
<p class="MsoNormal" style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/pWK7v0gIHLo" title="YouTube video player" width="560"></iframe></p><p class="MsoNormal">"É il 1966 e Phil Spector aveva inventato la Wall of Sound, un suono in mono ottenuto incidendo e sovra-incidendo gli archi, altri strumenti e le parti vocali per creare una sorta di muraglia sonora dietro la cantante solista. Ha già portato al successo con ‘<a href="https://www.youtube.com/watch?v=e-dr1PZZMds" target="_blank">Be My Baby</a>’ Ronnie Spector, poi sua moglie. Vede in Tina la cantante perfetta per ‘River Deep, Mountain High’.</p><p class="MsoNormal">Spector però è anche consapevole che se si ritrova in studio Ike sarà molto difficile riuscire a fare quello che ha in mente, quindi gli dice ‘senti, alla fine il pezzo lo accreditiamo a tutti e due, Ike & Tina Turner, ma tu per favore stai lontano dallo studio, lasciami fare, in cambio ti do 20mila dollari’.</p><p class="MsoNormal">Chiama ventuno musicisti e ventuno coriste. A Tina la canzone la fa cantare e ricantare e ricantare ancora: «Credo di avere cantato quella canzone mezzo milione di volte, ero completamente fradicia di sudore, alla fine mi sono dovuta levare la camicetta e cantare in reggiseno», come ricorda anche il tecnico del suono Larry Levine: «Quando è entrata era elettrica. Abbiamo abbassato le luci, e quando si è levata i vestiti perché non riusciva a trovare lo swing… che corpo! Era incredibile come si muoveva. Elettrica, elettrica».</p><p class="MsoNormal">Dall'ottimo articolo di Carlo Massarini su Linkiesta, di qualche tempo fa: "<a href="https://www.linkiesta.it/2022/02/ike-tina-turner-recensione-carnegie-hall/?fbclid=IwAR2h-Z5B8QZG0XBqTJ0XeYGu5TvOo8bW5JE7uCJbqkNrRw20MYoAahwCVl8">What you see is what you get</a>".</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVwPJye_PzMTezFrqOWIqeH1W0UV42bmCr8eCfCENBDdATASwQcsmuGaGIbKs_BZsVS0jLBdxsghEl7zE6TPdqTF7w3sf6Sk48kovBTG9MA2_4cfZ8HCPHLo8XkjYuhgWpr2WnQuFdp80SXyJNPfHWvBpfw99sVMuFhTa3Yp2I6dUN0Ua1WHweCtQDnQ/s1102/8vepnhcgk4ly.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1102" data-original-width="900" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVwPJye_PzMTezFrqOWIqeH1W0UV42bmCr8eCfCENBDdATASwQcsmuGaGIbKs_BZsVS0jLBdxsghEl7zE6TPdqTF7w3sf6Sk48kovBTG9MA2_4cfZ8HCPHLo8XkjYuhgWpr2WnQuFdp80SXyJNPfHWvBpfw99sVMuFhTa3Yp2I6dUN0Ua1WHweCtQDnQ/w522-h640/8vepnhcgk4ly.jpg" width="522" /></a></div><p class="MsoNormal">"Quando Anna Mae Bullock (il suo nome) nacque, i genitori lavoravano come
supervisori nella piantagione di cotone di Pointdexer, vicino al piccolo
villaggio rurale di Nut Bush". </p><p class="MsoNormal" style="text-align: left;"><a href="https://www.youtube.com/watch?v=I07249JX8w4" target="_blank">Nut Bush City Limits - Ike & Tina Turner</a></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6M2YUQCYT3URI385S5ue-zr2Ef7RqIY57oh_jDtAUBvkU3ZSwDRZUjzTdl8aNLE9b6Yets2Y3eDgdVm584N6caemZZwDZ4rcEGWGhQZzgZypKWYS1G3QYY7Sp9yGfpImz9-CXvzZkVyeG5Q4yv9r_mLYzPai7AG_LsrdMqv7j6nnOzo-b0wzl9RzzMA/s2000/Tina.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="1435" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6M2YUQCYT3URI385S5ue-zr2Ef7RqIY57oh_jDtAUBvkU3ZSwDRZUjzTdl8aNLE9b6Yets2Y3eDgdVm584N6caemZZwDZ4rcEGWGhQZzgZypKWYS1G3QYY7Sp9yGfpImz9-CXvzZkVyeG5Q4yv9r_mLYzPai7AG_LsrdMqv7j6nnOzo-b0wzl9RzzMA/s320/Tina.jpg" width="230" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-60281785650562732452023-05-17T23:07:00.002+02:002023-05-17T23:07:42.274+02:00Doodling<p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYvl_MBjrdC5VDvszd6YZQ_DAFsW9KmCQvmzQs2WwM4wYM1TJzZBn_UvUrCewOQMa3dWwXTYltGQtz9W7C-nVzA1dMPRcnOFc0xXdZvj1kOhnqNRqDB29sQlxOzyqd7XzJbLjxtD6Ns6wxDww0-84tBog5Tui1gqQmcys8Slha3GA-4_YKYiBBSEw9Mw/s1387/347104979_1950067555329821_4298397760721207085_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="995" data-original-width="1387" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYvl_MBjrdC5VDvszd6YZQ_DAFsW9KmCQvmzQs2WwM4wYM1TJzZBn_UvUrCewOQMa3dWwXTYltGQtz9W7C-nVzA1dMPRcnOFc0xXdZvj1kOhnqNRqDB29sQlxOzyqd7XzJbLjxtD6Ns6wxDww0-84tBog5Tui1gqQmcys8Slha3GA-4_YKYiBBSEw9Mw/w640-h460/347104979_1950067555329821_4298397760721207085_n.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">"Doodling" © Fabio Barilari</td></tr></tbody></table><br /></p><p><br /></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-18500353329515946372023-05-06T13:36:00.000+02:002023-05-06T13:36:08.702+02:00CIDADE QUINTAL - Handmade Urbanism<p class="MsoNormal">Ogni tanto - un pò troppo raramente, per la verità, da
qualche anno a questa parte - scopro delle ricerche e delle sperimentazioni in
ambito di architettura e progettazione di spazi urbani che mi emozionano. </p>
<p class="MsoNormal">E' il caso di questo gruppo <a href="https://www.cidadequintal.com.br/" target="_blank">Cidade Quintal</a> attivo a Vitòria in Brasile, che ho scoperto ora su <a href="https://www.archdaily.com/1000521/mirante-do-cabral-cidade-quintal?ad_medium=office_landing&ad_name=article" target="_blank">Archdaily</a>, sfogliando tra
troppa architettura piuttosto monotona e precotta. </p>
<p class="MsoNormal"><a href="https://www.cidadequintal.com.br/?fbclid=IwAR1oNRvgb-mQnY5bjj42feio9UDgf_r3aAtQrwet0lQ9haEzNbLGt-P_S4Y" target="_blank">https://www.cidadequintal.com.br/</a> ossia, urbanistica "dal basso", handmade urbanism</p><p class="MsoNormal">Il progetto si intitola "Cabral Lookout"</p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1TjlzKYHvJlGl2IOHZjwWZ-4SfHeDXOOZs_BWl_xtUGWM8WP4I5iK9IeVkR_mYKDXAEqR7-ynsFt1nNmoylA5YOmrm3Khrl0g3aBUeGIk9pAZfvYlc6bYjOBThdD0X8gna1ZYbgbSgSJ2bRROwJ7S7qnKyf32Ep5RumGbDKMRSGJmbCYCbABUDTe6fA/s1582/mirante-do-cabral-cidade-quintal_10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1582" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1TjlzKYHvJlGl2IOHZjwWZ-4SfHeDXOOZs_BWl_xtUGWM8WP4I5iK9IeVkR_mYKDXAEqR7-ynsFt1nNmoylA5YOmrm3Khrl0g3aBUeGIk9pAZfvYlc6bYjOBThdD0X8gna1ZYbgbSgSJ2bRROwJ7S7qnKyf32Ep5RumGbDKMRSGJmbCYCbABUDTe6fA/w200-h125/mirante-do-cabral-cidade-quintal_10.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM3FkQlJJf88UMpSR2AKuSK3VI2WyDOL2VFhOC9ENYW-8xM0X7TounDomzkCL75lQtEqV6n_xAHI6QCeu-RH6xOc2V4ZMVziW5v_TVa1gu0jlPFB0u72bBe2pOJFEPLHjvTIttBLtw0PEzeLwSsCx6EXPrQ3oprGsZA2NKBEB2wFcgowRTQoO95tylJA/s1582/mirante-do-cabral-cidade-quintal_8%20(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1582" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM3FkQlJJf88UMpSR2AKuSK3VI2WyDOL2VFhOC9ENYW-8xM0X7TounDomzkCL75lQtEqV6n_xAHI6QCeu-RH6xOc2V4ZMVziW5v_TVa1gu0jlPFB0u72bBe2pOJFEPLHjvTIttBLtw0PEzeLwSsCx6EXPrQ3oprGsZA2NKBEB2wFcgowRTQoO95tylJA/w200-h125/mirante-do-cabral-cidade-quintal_8%20(1).jpg" width="200" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS_AU5f625wEJDo1f8qBj7vFyk6ltjxj8L0l1XxlG7a1RaOr_0VI5WAL7HwtHGdjrfUvlneke8V9dfOrZ_Aypu1fUWRTV4hGxT1B89xuSn__qqaalpZpyeQU9Lw4LbpSH1C94zCiXthUrr2DCL5r-X-6XOVQZf_WcEp-CRGyLPlN16t5OA5dWrW4jzHw/s1582/mirante-do-cabral-cidade-quintal_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1582" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS_AU5f625wEJDo1f8qBj7vFyk6ltjxj8L0l1XxlG7a1RaOr_0VI5WAL7HwtHGdjrfUvlneke8V9dfOrZ_Aypu1fUWRTV4hGxT1B89xuSn__qqaalpZpyeQU9Lw4LbpSH1C94zCiXthUrr2DCL5r-X-6XOVQZf_WcEp-CRGyLPlN16t5OA5dWrW4jzHw/w200-h125/mirante-do-cabral-cidade-quintal_1.jpg" width="200" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEo4nN0BmuMPbJtc5ohw1J1lMVgW_3FJy6Ss4RrytwpY9Ne2l2yZHd71849G69LDQ8GklbvyALd6rvLCQDp8fKxQbvYvYnc0EqIQ74C5_Yox1murPSXN0V95tXIh21knHSYnAiae8L9pt8renKyIZ2KwJgNIJHPFHJyFEFl3CLHkJJPXc9D2fc8PyA0Q/s1582/mirante-do-cabral-cidade-quintal_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1582" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEo4nN0BmuMPbJtc5ohw1J1lMVgW_3FJy6Ss4RrytwpY9Ne2l2yZHd71849G69LDQ8GklbvyALd6rvLCQDp8fKxQbvYvYnc0EqIQ74C5_Yox1murPSXN0V95tXIh21knHSYnAiae8L9pt8renKyIZ2KwJgNIJHPFHJyFEFl3CLHkJJPXc9D2fc8PyA0Q/w200-h125/mirante-do-cabral-cidade-quintal_3.jpg" width="200" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7e3ubyZiVUXtnVta0GsBIIELmpB9GY7iIugfXGH70VnwYQQz8J1mdT7mxSwIGygnGnfn4MSIRA5RzeesRtdx5sYKK7H76RsYAtHOpikraWtFPJc0i-aWrXu7bAYw_5wvazQyVyUmDx8v0aYSGl3MCuacH0LtZtAH5jwnZ32VYi_WYMm8CWDfW5IZDYw/s1582/mirante-do-cabral-cidade-quintal_6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1582" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7e3ubyZiVUXtnVta0GsBIIELmpB9GY7iIugfXGH70VnwYQQz8J1mdT7mxSwIGygnGnfn4MSIRA5RzeesRtdx5sYKK7H76RsYAtHOpikraWtFPJc0i-aWrXu7bAYw_5wvazQyVyUmDx8v0aYSGl3MCuacH0LtZtAH5jwnZ32VYi_WYMm8CWDfW5IZDYw/w200-h125/mirante-do-cabral-cidade-quintal_6.jpg" width="200" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSvKJAh55atlsybDgoV3ek1CdVK_2JjOoLE5V4CsoS2d0g-I4kQBQlMCOr3cPs_IrgdUYQLHP-XOsg7AKZETZXY1mlHjQ9LI8sXjZwh1Vm-jGIU1by-tct55szMsrkgHdj1G4W_A29LwCUBneEz1NO-NlQYDfqhTIP8rBdN-hcK5_dWCEuivSemp_JvA/s1582/mirante-do-cabral-cidade-quintal_9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1582" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSvKJAh55atlsybDgoV3ek1CdVK_2JjOoLE5V4CsoS2d0g-I4kQBQlMCOr3cPs_IrgdUYQLHP-XOsg7AKZETZXY1mlHjQ9LI8sXjZwh1Vm-jGIU1by-tct55szMsrkgHdj1G4W_A29LwCUBneEz1NO-NlQYDfqhTIP8rBdN-hcK5_dWCEuivSemp_JvA/w200-h125/mirante-do-cabral-cidade-quintal_9.jpg" width="200" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJLHbtOBCRCqm_x0CDYsBFyG5O7_Nh3iPgfSqxeeBOFfSw17Bk1vhDsmw430n8DCaMkGRjJmCYn4g3YG0kIRqClMHmMOGNgmg4f31kmkCMSZljGss40euSCt_f2VeMVv6ykGKClugjYTWnMR-EfaAaBWlW5EglUZkB8_BwJ3jO_5QSpem1Sqmt0kuNww/s1582/mirante-do-cabral-cidade-quintal_11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1582" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJLHbtOBCRCqm_x0CDYsBFyG5O7_Nh3iPgfSqxeeBOFfSw17Bk1vhDsmw430n8DCaMkGRjJmCYn4g3YG0kIRqClMHmMOGNgmg4f31kmkCMSZljGss40euSCt_f2VeMVv6ykGKClugjYTWnMR-EfaAaBWlW5EglUZkB8_BwJ3jO_5QSpem1Sqmt0kuNww/w640-h400/mirante-do-cabral-cidade-quintal_11.jpg" width="640" /></a></div><p class="MsoNormal"><i>"Twenty-four thousand plastic caps donated by residents of
the Morro do Quadro neighborhood in Vitória-ES served as the basis for
socio-spatial improvements in a lookout point in the region. The project, which
involved community agency, creation, and execution, was developed by Cidade
Quintal and was part of the actions of the MC Festival - favela edition, held
by the Cidade Movement.</i></p><p class="MsoNormal"><i>Beyond everyday experiences, it is a meeting point for the
Serenata D'Favela choir, an initiative that for 13 years has driven young talents
from the neighborhood through music. According to members, it is the perfect
setting for video recordings and performances that showcase the power of the
place: the people and their incredible view of other communities. It was
Serenata D'Favela that embraced the project, helped define the intervention
space, and closely followed the development."</i></p><p class="MsoNormal"><i>- text by </i><a href="https://www.facebook.com/CidadeQuintal?__cft__%5b0%5d=AZVE0wXPbyBYq9cmz-H52glJLFddcbvb94njMjkg4qqoGHRBi9sl9BqU2DYNNLv04ZTf193eUWV9Or4sJR7ZQIAHvRQlpVpBpWh3wYA6ZDmgwfq33lENCK6ig16PPprzojt_ioUWONuG3PST2ECrPsSA&__tn__=-%5dK-R">Cidade Quintal</a><i> </i></p><p class="MsoNormal">Merita farsi un giro sul loro <a href="https://www.cidadequintal.com.br/" target="_blank">sito</a>, anche per i loro bellissimi disegni di progetto:</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMbBdBb-ZjGq4XD9K1-eDxSBZo02zS0zNxRXQ_WmyTb16Cwh8onw-GejA83dYAqXNurk9Utyj9f87d_kuo4DoF_h3TJ3BF5K70TR3a2hDer-fOlWYVx1oyT6oX77RTUll46q8k889xr41cWjboLZTBKhUX-6h6UI_bmcxUtT1dcFta2YGP2og1UoXz_g/s1170/CQ%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1170" data-original-width="872" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMbBdBb-ZjGq4XD9K1-eDxSBZo02zS0zNxRXQ_WmyTb16Cwh8onw-GejA83dYAqXNurk9Utyj9f87d_kuo4DoF_h3TJ3BF5K70TR3a2hDer-fOlWYVx1oyT6oX77RTUll46q8k889xr41cWjboLZTBKhUX-6h6UI_bmcxUtT1dcFta2YGP2og1UoXz_g/w476-h640/CQ%206.jpg" width="476" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWmA3M9dXr9WkYCVK_gOJwCdibZ-GvfzJwgAfcfsD62LbsW6sXHZRJrr8v9nNEJJIA6pBc7Bz-4_MKQTOCbko_8zITwGknSb8akevKpOTNing8ar_sBc4V6nHc9vcMDALDWc9lcxRjIXYMeBmTJPSPY0HYryJp8x0s8GZQGbN835QZfhjQlkyxy17v8w/s931/CQ%208.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="931" data-original-width="594" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWmA3M9dXr9WkYCVK_gOJwCdibZ-GvfzJwgAfcfsD62LbsW6sXHZRJrr8v9nNEJJIA6pBc7Bz-4_MKQTOCbko_8zITwGknSb8akevKpOTNing8ar_sBc4V6nHc9vcMDALDWc9lcxRjIXYMeBmTJPSPY0HYryJp8x0s8GZQGbN835QZfhjQlkyxy17v8w/w408-h640/CQ%208.jpg" width="408" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAB3TqRy1FUE8FhrHyOIyiUTfoC42lnSBE8QxQX7DXTHm_UImSb8bhNjTcRd9f-qAuk3Aa2LpeRPI9OSVXj1AKg1MecaEdNbO2x7fCkkjw8SztI4gsQl7yM5oyfMaD7lk6dFsGN1TOV82v2PtwBh7ExOXitbYKNSYO2ySn_TW2Oh7PXnpNy8kv-rL8Ng/s910/CQ%209.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="910" data-original-width="594" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAB3TqRy1FUE8FhrHyOIyiUTfoC42lnSBE8QxQX7DXTHm_UImSb8bhNjTcRd9f-qAuk3Aa2LpeRPI9OSVXj1AKg1MecaEdNbO2x7fCkkjw8SztI4gsQl7yM5oyfMaD7lk6dFsGN1TOV82v2PtwBh7ExOXitbYKNSYO2ySn_TW2Oh7PXnpNy8kv-rL8Ng/w418-h640/CQ%209.jpg" width="418" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX2IUtktWX9WeoZKnPNPoYBJA6-FzLLhvu6n8Me6nVcySfDUssjk_GP_NIAL-UXrGMXJ0LgnntCVQdwAtbImNc3NqnLunkp_RumS2wtgiQXB9C70TZglhfuX5uuR4KWmWHeGmXMSO4fW3hORjM3nEsBptn1L1sXdu5pbgqso2CnCDvHrvlbdLIUqKnMg/s890/CQ%2010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="821" data-original-width="890" height="590" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX2IUtktWX9WeoZKnPNPoYBJA6-FzLLhvu6n8Me6nVcySfDUssjk_GP_NIAL-UXrGMXJ0LgnntCVQdwAtbImNc3NqnLunkp_RumS2wtgiQXB9C70TZglhfuX5uuR4KWmWHeGmXMSO4fW3hORjM3nEsBptn1L1sXdu5pbgqso2CnCDvHrvlbdLIUqKnMg/w640-h590/CQ%2010.jpg" width="640" /></a></div><p class="MsoNormal"><i>"Siamo Cidade Quintal, un'organizzazione dedicata a
trasformare gli spazi e catalizzare azioni positive in tutta la città.
Lavoriamo nel campo del design e dell'urbanistica partecipativa per rafforzare
le narrazioni della comunità e migliorare la convivenza."</i></p><p class="MsoNormal">.</p>
<p class="MsoNormal"><a href="https://www.facebook.com/CidadeQuintal?__cft__%5b0%5d=AZVE0wXPbyBYq9cmz-H52glJLFddcbvb94njMjkg4qqoGHRBi9sl9BqU2DYNNLv04ZTf193eUWV9Or4sJR7ZQIAHvRQlpVpBpWh3wYA6ZDmgwfq33lENCK6ig16PPprzojt_ioUWONuG3PST2ECrPsSA&__tn__=-%5dK-R">Cidade
Quintal</a> on Facebook.</p><div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/6-fdck4IF2k" title="YouTube video player" width="560"></iframe></div><div style="text-align: center;"><br /></div><div style="text-align: center;">Tutte le immagini sono © <a href="https://www.cidadequintal.com.br/" target="_blank">Cidade Quintal</a></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comMCCV+74 Corinto, MG, Brasile-18.3292568 -44.5572248-49.804250578495754 -79.7134748 13.145736978495751 -9.4009748tag:blogger.com,1999:blog-3287563045069304771.post-62097743764433086802023-04-19T12:59:00.001+02:002023-04-19T13:02:51.766+02:00Oculus<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghRbRAztoZ7adMT-q2KiXwPS0v6gpY3vnaRFruykc6fu1JkAM-V3PxlLA4Ztx2Rr2L-mS4oo018CH5_B6-d87H5wAPoZNfb3706_Bf2kqS0tNbagHaG3e1QIDesZXph4AO76aIyYFPzFOJIheegYK4ifInsD_9aM9zunQpH3dPBupvZJwyIGaPx0L7fg/s898/Pantheon%20(2).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="898" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghRbRAztoZ7adMT-q2KiXwPS0v6gpY3vnaRFruykc6fu1JkAM-V3PxlLA4Ztx2Rr2L-mS4oo018CH5_B6-d87H5wAPoZNfb3706_Bf2kqS0tNbagHaG3e1QIDesZXph4AO76aIyYFPzFOJIheegYK4ifInsD_9aM9zunQpH3dPBupvZJwyIGaPx0L7fg/w513-h640/Pantheon%20(2).jpg" width="513" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Pantheon - "Oculus" © Unknown</td></tr></tbody></table><br /> <p></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-7917663824511274562022-12-13T14:17:00.000+01:002022-12-13T14:17:01.460+01:00Keith Richards With Jack & Coors 1972<p>Vidi questa foto, "Keith
Richards With Jack & Coors 1972" di Ethan Russell, per la prima volta in
una galleria a Londra, molti anni fa. Aveva un costo inavvicinabile, ma l'avrei
comprata subito. Bellissima, in tutta la composizione, fino a ogni minimo dettaglio. </p><p>Resta una delle immagini più belle che conosco, di quel
mondo.</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDG3CIuwhvelNcfncij9NjhG5iLABNcCiLBf8_Exiq1O4ydDO9FS7jB6LHfJqfPMBNHUmmguLCY-fPH9SCsjkzFTXpE2W9KJtOnf-d3BFn-GOImZ-C5umbmo4ox1fyj9UUH2JZPMFqtg9nZE3Qw7TxXw3Pimy_nCUcyLqf_hhOjZloi4byS4xCKf-jAg/s1280/Keith%20Richard%20%C2%A9%20Ethan%20Russell.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="874" data-original-width="1280" height="437" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDG3CIuwhvelNcfncij9NjhG5iLABNcCiLBf8_Exiq1O4ydDO9FS7jB6LHfJqfPMBNHUmmguLCY-fPH9SCsjkzFTXpE2W9KJtOnf-d3BFn-GOImZ-C5umbmo4ox1fyj9UUH2JZPMFqtg9nZE3Qw7TxXw3Pimy_nCUcyLqf_hhOjZloi4byS4xCKf-jAg/w640-h437/Keith%20Richard%20%C2%A9%20Ethan%20Russell.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;">"Keith Richards With Jack & Coors 1972" © </span>Ethan Russell</td></tr></tbody></table>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-847432080903624652022-11-01T18:35:00.001+01:002022-11-01T20:23:09.023+01:00Unique Mount EMEI Theater<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrMtA5gHm1V68kqZRNOKwQXW7PRtFKhrABh8AhLyOg6AjUh6hhCpGHpVhd40hxTm7mEeMR7DK6lkZkxY4UikQMwHB2XUbm-goSVVuIVz80KKQnW0ncQbOksD9dsKWPqwCa3pnnH1JcbBmkL7e1kHzcO8M_r4Hp9PzaRfLfQQmiJ1Ym3vCFUBIBf-_zbQ/s2012/312387243_10226902804190169_7465142469804733774_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1125" data-original-width="2012" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrMtA5gHm1V68kqZRNOKwQXW7PRtFKhrABh8AhLyOg6AjUh6hhCpGHpVhd40hxTm7mEeMR7DK6lkZkxY4UikQMwHB2XUbm-goSVVuIVz80KKQnW0ncQbOksD9dsKWPqwCa3pnnH1JcbBmkL7e1kHzcO8M_r4Hp9PzaRfLfQQmiJ1Ym3vCFUBIBf-_zbQ/w640-h358/312387243_10226902804190169_7465142469804733774_n.jpg" width="640" /></a></div><br /><p></p><p><span lang="EN-US">“</span><span lang="EN-US" style="font-family: "MS Gothic";">只有峨眉山</span>”<span lang="EN-US" style="font-family: MingLiU;">戏剧幻城位于四川省峨眉山市川主景区边,是由峨眉山旅游投资开发(集团)有限公司邀请中国著名导演王潮歌打造的大型情境体验剧。项目总占地面积约为</span>6<span lang="EN-US" style="font-family: "MS Gothic";">公</span><span lang="EN-US" style="font-family: MingLiU;">顷</span><span lang="EN-US" style="font-family: "MS Gothic";">,包括云之上演</span><span lang="EN-US" style="font-family: MingLiU;">艺剧场、云之中情景园林和由基地内原有村落改造而成的云之下情景剧场。</span></p>
<p class="MsoNormal"><span lang="EN-US">"Only
Mount Emei" Drama City is located beside the main scenic area of Sichuan, Emeishan
City, Sichuan Province. It is a large-scale situational experience drama
created by the famous Chinese director Wang Chaoge by Emeishan Tourism
Investment Development (Group) Co., Ltd. </span>The total area of the project
is about 6 hectares, including the Yunshang Performing Arts Theater, the
Yunzhong Scenery Garden, and the Yunxia Scenery Theater transformed from the
original villages in the base.</p>
<p class="MsoNormal"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh5WgoPChMdeGRL4WApLW8TMPzl1xjCRTTMj1SuayNQDJSreupO-g7XUvEbrg1RkBmCQsH3YNbBedjUtF8Q8GEc1-4TUIwIzQBkXOUJxHSfQvb7GzzdS7Geh-JVlNf-aWkNpdIY-OIlf9ZcVPiOGQktzAbSz1pHrpDlM3skgsFi3-1nq-keyc_0WVPeQ/s1920/33af41666d63640fb762a51a0137c93e.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh5WgoPChMdeGRL4WApLW8TMPzl1xjCRTTMj1SuayNQDJSreupO-g7XUvEbrg1RkBmCQsH3YNbBedjUtF8Q8GEc1-4TUIwIzQBkXOUJxHSfQvb7GzzdS7Geh-JVlNf-aWkNpdIY-OIlf9ZcVPiOGQktzAbSz1pHrpDlM3skgsFi3-1nq-keyc_0WVPeQ/w640-h360/33af41666d63640fb762a51a0137c93e.jpg" width="640" /></a></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><b><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">文学</span> LITERATURE</b><p></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">建筑</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">紧紧扣题</span><span lang="EN-US">“</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">峨眉</span><span lang="EN-US">“</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,以</span><span lang="EN-US">“</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">云之上</span><span lang="EN-US">”</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">作</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">为建筑语境和文学切入点</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,她取材于峨眉与云海,佛境与人</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">间</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,将自然意象提</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">炼为文学表达</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,再将文学</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">语义化身为建筑形象。</span></p>
<p class="MsoNormal"><span face="Calibri, "sans-serif"" style="line-height: 115%;">The
architecture is closely related to the title "Emei" and uses
"above the clouds" as the entry point for architectural context and
literature. She draws on Emei and the sea of clouds, the world of Buddha and
the world, distilling natural images into literary expressions, and then
translating the semantics of literature into Building image.</span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;"><br /></span></b></p><p class="MsoNormal"><b><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">绘画</span> PAINTING</b></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">建筑</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">对于周边的田野</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,不是生硬的存在,不是自我的表达,她融于峨眉的山川河流中。不是要盖一个建筑,而是去</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">创作一副中国文人山水画作,她可能最终不是传统意义的建筑,但她一定是具有梦幻场景的艺术作品。</span></p>
<p class="MsoNormal"><span face="Calibri, "sans-serif"" lang="EN-US" style="line-height: 115%;">The
architecture is not a blunt existence or self-expression to the surrounding
fields. </span><span face="Calibri, "sans-serif"" style="line-height: 115%;">It is integrated in the mountains and rivers of Emei.
It is not to build a building, but to create a Chinese literati landscape
painting. She may not be a traditional building in the end, but she must be a
work of art with a dream scene.</span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";"><br /></span></b></p><p class="MsoNormal"><b><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">音</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">乐</span> MUSIC</b></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">时间的流淌</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">历史的变迁</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,基地内的</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">树木、河流</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">还有祖祖辈辈生活在此的人</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,都</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">给这片土地留下了痕迹</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,她就像是一首</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">岁月的音乐。为了还原这一切,将基地内的原始村落全部保留,尽可能原封不动,加入符合主题的戏剧内容,旧村和剧场一唱一和,继续谱写新的篇章。</span></p>
<p class="MsoNormal"><span face="Calibri, "sans-serif"" lang="EN-US" style="line-height: 115%;">The
flow of time, the changes of history, the trees and rivers in the base, as well
as the people who have lived here for generations, have all left marks on this
land. </span><span face="Calibri, "sans-serif"" style="line-height: 115%;">She is like the music of the years. In order to
restore all of this, all the original villages in the base were preserved, as
intact as possible, and drama content in line with the theme was added. The old
village and the theater sang and continued to write a new chapter.</span></p>
<p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";"><br /></span></b></span></p><p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">空</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">间</span> SPACE</b></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">在云之上演</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">艺剧场建筑造型上,刻画了建筑地处峨眉山,其雄秀西南的精神气质。同时,对建筑肌理着重设计,以</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">瓦</span>”<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">和</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">屋</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">顶</span>”<span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">为母题元素,运用一系列的</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">屋面</span>”<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">从地表到</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">墙身、从下到上逐渐蔓延覆盖,创造出从人间到天界的意向及视觉过渡,如同从天界俯瞰世间万物,亦</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">真亦假,亦</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">云之上</span>”<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,亦</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">人世</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">间</span>”<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">。</span></p>
<p class="MsoNormal"><span face="Calibri, "sans-serif"" lang="EN-US" style="line-height: 115%;">On
the architectural modeling of Yunshang Performing Arts Theater, it depicts that
the building is located in Mount Emei, with its majestic southwestern spirit. </span><span face="Calibri, "sans-serif"" style="line-height: 115%;">At the same time, the architectural texture is
emphasized in the design, with "tiles" and "roofs" as the
motif elements, and a series of "roofs" are gradually spreading and
covering from the surface to the wall, from bottom to top, creating an
intention from the world to the heavens. And the visual transition is like
looking at everything in the world from the heavens, both true and false,
"above the clouds" and "the world".</span></p>
<p class="MsoNormal"><br /></p>
<p class="MsoNormal"><span lang="EN-US">“</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">云之上</span><span lang="EN-US">”</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">剧场</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,如同在峨眉山金</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">顶俯瞰下面一样</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,俯瞰人</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">间</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">;</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">云之中</span><span lang="EN-US">”</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">则通过景观打造漫步云朵之间的穿行感受</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,是仙界;</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">云之下</span><span lang="EN-US">”</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">由自然旧村落改造而成,是人</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">间。这里的空间,是有时空的意味</span><span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">观众先入</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">人</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">间</span>”<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,再登</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">天界</span>”<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">,如</span><span lang="EN-US" style="font-family: MingLiU; mso-bidi-font-family: MingLiU;">临登顶、如观云海,体验到</span>“<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">云之上</span>”<span lang="EN-US" style="font-family: "MS Gothic"; mso-bidi-font-family: "MS Gothic";">的精神境界。</span>
</p>
<p class="MsoNormal"><span face="Calibri, "sans-serif"" style="line-height: 115%;">The
theater "Above the Clouds" looks down on the human world like the
golden dome of Mount Emei; "Among the Clouds" creates a feeling of
walking among the clouds through the landscape, which is a fairyland;
"Below the Clouds" is transformed from a natural old village Cheng is
the world. The space here is the meaning of time and space. The audience first
enters the "world" and then climbs to the "world", as if
approaching the top, like watching the sea of clouds, experiencing the
spiritual realm "above the clouds".</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuwKnG99s5XHRmSNOKg7Ak5dadjXtiQcJxISMZ9QECOUmhiNXNoY1eZb64L7g0nBdK-MZihLnunyz_LWSwBdPQPE4Nb8lmUjZMiNbst8wf6daZ7i2NqAez-Tdf-i8UdOviQ71gGq4byGFjjj9bQ0Vsj8LOKXIxVnN2Q95EQU_W7pgUYiUk6Dlqj0XoUg/s2048/312212692_10226902809110292_2767696327407228256_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1133" data-original-width="2048" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuwKnG99s5XHRmSNOKg7Ak5dadjXtiQcJxISMZ9QECOUmhiNXNoY1eZb64L7g0nBdK-MZihLnunyz_LWSwBdPQPE4Nb8lmUjZMiNbst8wf6daZ7i2NqAez-Tdf-i8UdOviQ71gGq4byGFjjj9bQ0Vsj8LOKXIxVnN2Q95EQU_W7pgUYiUk6Dlqj0XoUg/w640-h354/312212692_10226902809110292_2767696327407228256_n.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSM3KENa4vHPCCikh0ND80KkcYTvJ-Tra0keiwIBknTh52VYPDJ1YBpFaNxTxn_8PvphrH6Izhp31tLcIUL8-MJ1uQbqiIOwla9Gvmy9uXHraGLj8KyrsVbsarjGXCZtAuXvsCh8WELeHa-K8N_aihdRnLZ_FW3gkDcnngsHK0EqpT9_VKmdrW2E2CJQ/s1440/8562eeb62e513045bfd9eeb0aa1ef614.jpg" style="margin-left: 1em; 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<p class="MsoNormal">EMEISHAN, CHINA</p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">Architects:
<a href="http://www.boastudio.net/" target="_blank">BIAD-BOA Studio</a>, WG Studio <o:p></o:p></span></p>
<p class="MsoNormal">Photographs: Xing Fu, Lei Zhang </p><p class="MsoNormal" style="text-align: left;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKZP5ry8lvliDoB5B9bo7fcVzA8HHPiRLoJe3vUXJDFSFi-pHKmVN-befapZLSnA0703hvsdnsfO2nDSlbctB4iZ_nGWhl3SPQHJNuc_FEeA7PE-UBHitt730uKGPge1RlAcGn08yYsVWiFLGdgR9HCuwyQeDakLErZ-1PdgGREqjWD26r8FBEOk1ZGQ/s1704/313403843_10226902763069141_6203581653816313576_n.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1136" data-original-width="1704" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKZP5ry8lvliDoB5B9bo7fcVzA8HHPiRLoJe3vUXJDFSFi-pHKmVN-befapZLSnA0703hvsdnsfO2nDSlbctB4iZ_nGWhl3SPQHJNuc_FEeA7PE-UBHitt730uKGPge1RlAcGn08yYsVWiFLGdgR9HCuwyQeDakLErZ-1PdgGREqjWD26r8FBEOk1ZGQ/w400-h266/313403843_10226902763069141_6203581653816313576_n.jpg" width="400" /></a></p><p class="MsoNormal">From <a href="https://www.dezeen.com/2022/11/01/beijing-leuchte-lighting-design-unique-mount-emei/" target="_blank">DEZEEN</a></p><p class="MsoNormal"></p><p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">IMMERSIVE THEATRE VENUE</span></p><p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;">"Beijing
Leuchte Lighting Design has orchestrated a lighting scheme for an
open-air-thetare complex in Emeishan City, China, centred on a pavilion encrusted
with 50,000 illuminated tiles.<o:p></o:p></span></p>
<p class="MsoNormal">The venue, named Unique Mount Emei Land of Dramas, spans
78,000 square metres and three distinct locations, including the main tile-clad
pavilion, an outdoor courtyard area and a group of real Chinese village
dwellings.</p>
<p class="MsoNormal">The Unique Mount Emei Land of Dramas venue consists of three
separate locations</p>
<p class="MsoNormal">Design studio Beijing Leuchte Lighting Design used dramatic
statement lights mixed with soft atmospheric illumination to help set the scene
inside the venue, which was designed specifically for one immersive theatre
production.</p>
<p class="MsoNormal">The play, created by Chinese stage director Wang Chaoge,
explores Buddhism and the history of nearby Mount Emei – one of the four sacred
mountains of Chinese Buddhism.</p>
<p class="MsoNormal">Among them is an illuminated pavilion called Beyond the
Cloud</p>
<p class="MsoNormal">Aside from the glowing pavilion, Beijing Leuchte Lighting
Design used found objects, such as sinks, to form luminaires for the show and
lit artificial mist using white lights to make the audience feel as though they
are walking above the clouds.</p>
<p class="MsoNormal">The venue's centrepiece is Beyond the Cloud – a pavilion
clad in 50,000 illuminated glass and ceramic tiles that are finished in shades
of blue-green, white and grey.</p>
<p class="MsoNormal">Next to the pavilion, white gravel helps to delineate the
second theatre location, called By the Cloud.</p>
<p class="MsoNormal">This outdoor area facilitates further performances and
provides an open space where the dramatic effects of the lighting design become
more apparent, Beijing Leuchte Lighting Design said.</p>
<p class="MsoNormal">Throughout the courtyard, the roofs of vernacular village
dwellings appear to be sunken into the ground to provide the audience with the
sense of standing on top of Mount Emei – an experience that is further
heightened by the hazy, cool-toned landscape lighting.</p>
<p class="MsoNormal">The final setting, Beneath the Cloud, takes over the old
dwellings of Gaohe Village, which Wang and her team turned into an immersive
performance venue.</p>
<p class="MsoNormal">Beijing Leuchte Lighting Design opted to adapt existing
artefacts such as crockery, sinks and woven baskets to provide light sources
for the performance, as opposed to specifying modern fittings."</p><p class="MsoNormal">.</p><p class="MsoNormal"><span style="font-size: x-small;"><a href="https://www.linkedin.com/feed/hashtag/?keywords=architecturalresearch&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#architecturalresearch</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=architecture&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#architecture</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=designresearch&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#designresearch</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=contemporaryarchitecture&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#contemporaryarchitecture</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=dezeen&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#dezeen</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=archdaily&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#archdaily</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=architizer&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#architizer</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=criticalpractice&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#criticalpractice</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=designboom&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#designboom</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=archello&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#archello</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=interiordesign&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#interiordesign</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=architecturalinterior&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#architecturalinterior</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=design&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#design</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=art&highlightedUpdateUrns=urn%3Ali%3Aactivity%3A6993290418217988096">#art</a></span></p><p></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-33176774593280075022022-10-31T21:45:00.001+01:002022-10-31T21:53:30.533+01:00Post Covid / Roma<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2qIcfweDH3vBivsFCVxaV1ehMjevos7BKrJH1hc57agRCng5JElfM_dIKjh0LiYwf3xQsiNjvl3t6YpOF-GLkuBYV0piuY1qN9d2_AiJLzGH9cEAjDEXl933XM4GWjw8y12sq-Sy0NfToFsnRtWwnpAdhhbYZ0lEoFrD7n27EgRlBayB9zdJUolP8rQ/s2048/Fontana%20di%20Trevi%20_%2010.22.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2qIcfweDH3vBivsFCVxaV1ehMjevos7BKrJH1hc57agRCng5JElfM_dIKjh0LiYwf3xQsiNjvl3t6YpOF-GLkuBYV0piuY1qN9d2_AiJLzGH9cEAjDEXl933XM4GWjw8y12sq-Sy0NfToFsnRtWwnpAdhhbYZ0lEoFrD7n27EgRlBayB9zdJUolP8rQ/w480-h640/Fontana%20di%20Trevi%20_%2010.22.jpg" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Fontana di Trevi _ Post Covid © Fabio Barilari</td></tr></tbody></table><p></p><p class="MsoNormal" style="margin-bottom: 6pt;"></p><p class="MsoNormal" style="margin-bottom: 6pt;">Ecco, ora é tornato tutto a come
era prima della pandemia.</p>
<p class="MsoNormal" style="margin-bottom: 6pt;">Questa foto l'ho scattata ieri
pomeriggio, alla Fontana di Trevi.<br />
Qualcuno lo capirá che il rapporto tra cittá d'arte e turismo é collassato da
anni?<br />
Che si continua a spremere, fino ad uccidere, quello che andrebbe protetto?</p>
<p class="MsoNormal" style="margin-bottom: 6pt;">Se la cittá non crea alternative
in grado di catalizzare l'interesse di chi arriva e di decomprimere le sue aree
storiche, si distrugge tutto.<br />
Non é neppure piú un discorso di sviluppare buona architettura e buone cittá
per chi ci deve vivere, che sarebbe giá di suo una questione vitale e intelligente.<br />
Ora é per vile denaro: se non cambia la rotta nella pianificazione della cittá,
va tutto a fondo.</p><p class="MsoNormal" style="margin-bottom: 6pt;">Roma negli ultimi 100 anni è cresciuta 100 volte il suo centro storico e in quelle altre 99 Rome non c'è una vite che raccolga 1 turista.<br />
<br />
Durante il lockdown, l'Ordine degli Architetti di Roma mi invitó con altri
colleghi, a parlare di quanto stava accadendo, nel rapporto tra architettura,
cittá e pandemia.<br />
Questo fu il mio contributo: <a href="https://m.facebook.com/ordinearchitettiroma/videos/postcovid19-fabio-barilari-a-roma-nuovi-beni-culturali-a-decomprimere-il-centro-/238992167209873/?__cft__%5b0%5d=AZXJ9VpsJyqM2KOMwq4ijkObulRvKtYxbWvHR5lzTl5C18hsbvzwzE4r5bGX0pXBj9zIRfECbevIO5TB4wMPDWgeD4aa5AqFctRZcQzbBmMHYe3DglELNJOQ2CfEW2KdYrrUWXbm3tIOQHyxBQ4HAvXpkIzmTaLjboDXSR2GOmLcYw&__tn__=-UK*F" target="_blank">https://m.facebook.com/.../postcovid19.../238992167209873/</a><br />
Erano passati circa 2 mesi dall'inizio della pandemia ed eravamo tutti
costretti a restare a casa.</p>
<p class="MsoNormal" style="margin-bottom: 6pt;">La prima volta che tornai alla
Fontana di Trevi dopo il lockdown, eravamo in tre persone nella piazza e mi
resi conto che erano anni che non sentivo il rumore dell'acqua.</p><p class="MsoNormal" style="margin-bottom: 6pt;"><br /></p><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CA9-PBFBnKb/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14" style="background: rgb(255, 255, 255); border-radius: 3px; border: 0px; box-shadow: rgba(0, 0, 0, 0.5) 0px 0px 1px 0px, rgba(0, 0, 0, 0.15) 0px 1px 10px 0px; margin: 1px; max-width: 540px; min-width: 326px; padding: 0px; width: calc(100% - 2px);"><div style="padding: 16px;"><a href="https://www.instagram.com/p/CA9-PBFBnKb/?utm_source=ig_embed&utm_campaign=loading" style="background: rgb(255, 255, 255); line-height: 0; padding: 0px; text-align: center; text-decoration: none; width: 100%;" target="_blank"><div style="align-items: center; display: flex; flex-direction: row;"><div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"><br /></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0px;"></div> <div style="display: block; height: 50px; margin: 0px auto 12px; width: 50px;"><svg height="50px" version="1.1" viewbox="0 0 60 60" width="50px" xmlns:xlink="https://www.w3.org/1999/xlink" xmlns="https://www.w3.org/2000/svg"><g fill-rule="evenodd" fill="none" stroke-width="1" stroke="none"><g fill="#000000" transform="translate(-511.000000, -20.000000)"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">Visualizza questo post su Instagram</div></div><div style="padding: 12.5% 0px;"></div> <div style="align-items: center; display: flex; flex-direction: row; margin-bottom: 14px;"><div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; transform: translateX(0px) translateY(7px); width: 12.5px;"></div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12.5px; margin-left: 2px; margin-right: 14px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px;"></div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; transform: translateX(9px) translateY(-18px); width: 12.5px;"></div></div><div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style="border-bottom: 2px solid transparent; border-left: 6px solid rgb(244, 244, 244); 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font-size: 14px; line-height: 17px; margin-bottom: 0px; margin-top: 8px; overflow: hidden; padding: 8px 0px 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/CA9-PBFBnKb/?utm_source=ig_embed&utm_campaign=loading" style="color: #c9c8cd; font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">Un post condiviso da Fabio Barilari (@fabio_barilari)</a></p></div></blockquote> <script async="" src="//www.instagram.com/embed.js"></script>
<p class="MsoNormal">La pandemia ha offerto un'opportunità unica, impossibile
anche solo da immaginare.</p><p class="MsoNormal">Intervenire su queste dinamiche richiede una visione potente, ampia e a lunghissimo termine, interventi complessi ed estremamente articolati, differenti attori in campo che conoscano in
profondità sia le dinamiche della pianificazione urbana che la
storia specifica dei siti sui quali intervenire, oltre ai modelli di riferimento internazionali. </p><p class="MsoNormal">Con questi numeri, con il valore di queste città, occorrono strategie di respiro internazionale, non locali: le amministrazioni locali non hanno strumenti sufficientemente potenti per affrontare queste sfide. </p>
<p class="MsoNormal">Se almeno mostrassero qualche minima traccia di inversione di rotta. Mirare a recuperare il turismo in questo modo è
solo folle.</p><p></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-35410094655767731962022-10-23T14:55:00.003+02:002022-10-23T14:57:18.293+02:00A-CID Journey<p>Ieri ho
fatto 2 passi per la prima volta su <a href="https://www.midjourney.com/home/" target="_blank">Midjourney</a>.</p>
<p class="MsoNormal" style="margin-bottom: 0cm;">Sto seguendo
questa piattaforma dalla scorsa estate e ieri ci ho messo mano per vedere cosa
poteva venire fuori. </p>
<p class="MsoNormal" style="margin-bottom: 0cm;">In un paio
d'ore ho (ho?) sviluppato queste 2 immagini: considerando il tempo di
iscrizione e quello per capire come muoversi, il tempo reale di ideazione e
lavoro sará stato di 10 minuti.</p>
<p class="MsoNormal" style="margin-bottom: 0cm;">Dal punto di
vista creativo ed espressivo, questa piattaforma (non ho ancora provato Dall-E)
ha aperto la porta letteralmente su un universo parallelo. </p>
<p class="MsoNormal" style="margin-bottom: 0cm;">Ho avuto la
sensazione quasi fisica di stare su una moto che in prima prende i 300 all'ora.</p>
<p class="MsoNormal" style="margin-bottom: 0cm;">É una di
quelle porte aperte che non si possono richiudere. Uno strumento - ma non é uno
"strumento", piuttosto un "collaboratore", un
"collega" - che porta ad esiti espressivi completamente nuovi e che
al momento sembrano senza limiti. </p>
<p class="MsoNormal" style="margin-bottom: 0cm;">Per come é
strutturato l'algoritmo, la direzione - secondo me reale, non virtuale - é quella
delle dimensioni distopiche di Ridley Scott, ma raggiunte in un trip acido.</p>
<p class="MsoNormal" style="margin-bottom: 0cm;">Credo -
realmente - che possa dare un livello di dipendenza importante. Non so se sia
stato coniato un nome scientifico per quel tipo di dipendenza causato da
socialmedia, likes, necessità compulsiva di connessione, ecc.</p>
<p class="MsoNormal" style="margin-bottom: 0cm;">In ambiti
creativi bidimensionali quali pittura, illustrazione, grafica, ma anche
animazione e cinema, il potenziale mi sembra infinito.</p>
<p class="MsoNormal" style="margin-bottom: 0cm;">In ambito
architettonico, il passo verso una modellazione CAM di queste visioni, non lo
vedo lontano.</p>
<p class="MsoNormal" style="margin-bottom: 0cm;">Aaron Betsky,
uno dei critici e teorici piú importanti al mondo, ha appena postato questo
articolo, che merita la lettura: <a href="https://www.blogger.com/blog/post/edit/3287563045069304771/8644291899116726502" target="_blank">The Voyage Begins: Using Midjourney in Architecture</a>.</p><p class="MsoNormal" style="margin-bottom: 0cm;"><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinrQ8Jwv9m_OhbbAhlRnN0ifaNVbDQUDrkSrC7Eubl4Dnw-WYZExmbbJHcNgBIB-8CnJqwajyilF5Yl39sY0Ky1ZdsbqSv_6l4U0DlBMPObV1P5HgaOWGO5TqLPllhxRC_CMiEoOr1l4oewTqdvxWcJqB03nRYQF3kMrHY9aCvdJ6hHDGupxHLB8wvDg/s1664/311595050_10224630123755404_6531235323521777370_n.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1664" data-original-width="1664" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinrQ8Jwv9m_OhbbAhlRnN0ifaNVbDQUDrkSrC7Eubl4Dnw-WYZExmbbJHcNgBIB-8CnJqwajyilF5Yl39sY0Ky1ZdsbqSv_6l4U0DlBMPObV1P5HgaOWGO5TqLPllhxRC_CMiEoOr1l4oewTqdvxWcJqB03nRYQF3kMrHY9aCvdJ6hHDGupxHLB8wvDg/w640-h640/311595050_10224630123755404_6531235323521777370_n.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">A-CID Journey #1 © Fabio Barilari</td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA3r7OhOYa7Ju6CYRmDoS8Ze7YwC835diQXEAYiqewbSe8CIg9VXQq42l5Anr6Pb2msPseEmKFfE-uctxjs-sD4pzsiax00aXFFoBhE-InPXfAK0EbWlbMqXReVpPRpLJxq2Q2tNu6NFU9InrMaKDhj80qUh6W0YsdJ0BnSiDOe96bMSqgt4IOUkFFyg/s1664/312450259_10224630404402420_6400639913540021155_n%20(1).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1664" data-original-width="1664" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA3r7OhOYa7Ju6CYRmDoS8Ze7YwC835diQXEAYiqewbSe8CIg9VXQq42l5Anr6Pb2msPseEmKFfE-uctxjs-sD4pzsiax00aXFFoBhE-InPXfAK0EbWlbMqXReVpPRpLJxq2Q2tNu6NFU9InrMaKDhj80qUh6W0YsdJ0BnSiDOe96bMSqgt4IOUkFFyg/w640-h640/312450259_10224630404402420_6400639913540021155_n%20(1).jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">A-CID Journey #2 © Fabio Barilari</td></tr></tbody></table><p class="MsoNormal" style="margin-bottom: 0cm;"></p><p class="MsoNormal"><span style="font-size: x-small;"><a href="https://www.instagram.com/explore/tags/architecturalreview/">#architecturalreview</a> <a href="https://www.instagram.com/explore/tags/drawingarchitecture/">#drawingarchitecture</a> <a href="https://www.instagram.com/explore/tags/designresearch/">#designresearch</a> <a href="https://www.instagram.com/explore/tags/arqsketch/">#arqsketch</a> <a href="https://www.instagram.com/explore/tags/iarchitectures/">#iarchitectures</a> <a href="https://www.instagram.com/explore/tags/architexture/">#architexture</a> <a href="https://www.instagram.com/explore/tags/architecturalnotation/">#architecturalnotation</a> <a href="https://www.instagram.com/explore/tags/dezeenmagazine/">#dezeenmagazine</a> <a href="https://www.instagram.com/explore/tags/experimentalarchitecture/">#experimentalarchitecture</a> <a href="https://www.instagram.com/explore/tags/architecturedrawing/">#architecturedrawing</a> <a href="https://www.instagram.com/explore/tags/midjourney/">#midjourney</a> <a href="https://www.instagram.com/explore/tags/architectura/">#architectura</a> <a href="https://www.instagram.com/explore/tags/visualarts/">#visualarts</a> <a href="https://www.instagram.com/explore/tags/domus/">#domus</a> <a href="https://www.instagram.com/explore/tags/graphic/">#graphic</a> <a href="https://www.instagram.com/explore/tags/architecturetheory/">#architecturetheory</a> <a href="https://www.instagram.com/explore/tags/drawings/">#drawings</a> <a href="https://www.instagram.com/explore/tags/frame/">#frame</a> <a href="https://www.instagram.com/explore/tags/arch20/">#arch20</a> <a href="https://www.instagram.com/explore/tags/designboom/">#designboom</a> <a href="https://www.instagram.com/explore/tags/singlehandedly/">#singlehandedly</a> </span></p><br /><p></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-12344548825691055252022-09-01T20:41:00.006+02:002023-03-20T13:21:59.235+01:00Uluru<p style="text-align: center;"> <iframe allow="autoplay; clipboard-write; encrypted-media; picture-in-picture; web-share" allowfullscreen="true" frameborder="0" height="314" scrolling="no" src="https://www.facebook.com/plugins/video.php?height=314&href=https%3A%2F%2Fwww.facebook.com%2FSeeAustralia%2Fvideos%2F10154514907035909%2F&show_text=false&width=560&t=0" style="border: none; overflow: hidden;" width="560"></iframe></p><div class="separator" style="clear: both; text-align: center;"><p class="MsoNormal"></p><div style="text-align: left;"><i>“As a general rule of biology, migratory species are less
'aggressive' than sedentary ones.</i></div>
<div style="text-align: left;"><i><br /></i></div><div style="text-align: left;"><i>There is one obvious reason why this should be so. The migration itself, like
the pilgrimage, is the hard journey: a 'leveller' on which the 'fit' survive
and stragglers fall by the wayside.</i></div>
<div style="text-align: left;"><i><br /></i></div><div style="text-align: left;"><i>The journey thus pre-empts the need for hierarchies and shows of dominance. The
'dictators' of the animal kingdom are those who live in an ambience of plenty.
The anarchists, as always, are the 'gentlemen of the road'.”</i></div><div style="text-align: left;"><br /></div><div style="text-align: left;">― Bruce Chatwin, The Songlines</div><p></p></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw3SK1fD3R9it9hHBvK9if3PGOTpLYBjEiMvBXSbTEXAIXJNEntT1vEf7ozPoDwCd1bWVzl-7qidjj0V40jMm4y3xKNqjNk6beHJfOkPL-SLaHdcOxSTqT81z2f8KlKmpKyC8zcBgXVrGfpwGCidy3GgkwkbHopm021jTp5cVQo9KXLjS0Mm-KSYnS5w/s1191/Australia%20-%20Uluru%20_%20Barilari%20(2)a%20.jpg" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" data-original-height="379" data-original-width="1191" height="204" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw3SK1fD3R9it9hHBvK9if3PGOTpLYBjEiMvBXSbTEXAIXJNEntT1vEf7ozPoDwCd1bWVzl-7qidjj0V40jMm4y3xKNqjNk6beHJfOkPL-SLaHdcOxSTqT81z2f8KlKmpKyC8zcBgXVrGfpwGCidy3GgkwkbHopm021jTp5cVQo9KXLjS0Mm-KSYnS5w/w640-h204/Australia%20-%20Uluru%20_%20Barilari%20(2)a%20.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://www.fabiobarilariart.com/australia" target="_blank">Uluru</a></td></tr></tbody></table><p class="MsoNormal">According to the Aṉangu, traditional landowners of
Uluru:</p><p class="MsoNormal">The world was once a featureless place. None of the places
we know existed until creator beings, in the forms of people, plants and
animals, traveled widely across the land. Then, in a process of creation and
destruction, they formed the landscape as we know it today. Aṉangu land is
still inhabited by the spirits of dozens of these ancestral creator beings
which are referred to as Tjukuritja or Waparitja.</p><p class="MsoNormal">Two other accounts are given: The first tells of serpent beings who waged
many wars around Uluru, scarring the rock. The second tells of two tribes of
ancestral spirits who were invited to a feast, but were distracted by the
beautiful Sleepy Lizard Women and did not show up. In response, the angry hosts
sang evil into a mud sculpture that came to life as the dingo. There followed a
great battle, which ended in the deaths of the leaders of both tribes. The
earth itself rose up in grief at the bloodshed, becoming Uluru.<o:p></o:p></p><p class="MsoNormal"><o:p></o:p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBDlXykqiHAdSHhswtGP9x01WxVkmqyW_iHPcf4_ZWTzk9B5xmdE55cO-TD2y2DHAg3jrv6WSSqlJM68zw6pAF8MC_-ZPupXKApvjMjzKzWjEvoIC6e45XO-rP5ilHZ_iEVlrsQlHJXDp5mfU2Tcj0kvldZtPAECNOzd53CoiDLaDTtEqQq1vDRWtgwA/s1189/Australia%20-%20Kakadu_a%20_%20Barilari%20.jpg" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" data-original-height="371" data-original-width="1189" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBDlXykqiHAdSHhswtGP9x01WxVkmqyW_iHPcf4_ZWTzk9B5xmdE55cO-TD2y2DHAg3jrv6WSSqlJM68zw6pAF8MC_-ZPupXKApvjMjzKzWjEvoIC6e45XO-rP5ilHZ_iEVlrsQlHJXDp5mfU2Tcj0kvldZtPAECNOzd53CoiDLaDTtEqQq1vDRWtgwA/w640-h200/Australia%20-%20Kakadu_a%20_%20Barilari%20.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://www.fabiobarilariart.com/australia" target="_blank">Kakadu</a></td></tr></tbody></table><p class="MsoNormal"><span lang="EN-US">The Songlines</span></p><p class="MsoNormal"><span lang="EN-US">"Songlines,
also called Dreaming tracks by Indigenous Australiana within the
animist indigenous belief system, are paths across the land (or, sometimes
the sky) which mark the route followed by localised 'creator-beings' during the
Dreaming. </span>The paths of the songlines are recorded in traditional songs,
stories, dance, and painting.<br />
<br />
A knowledgeable person is able to navigate across the land by repeating the
words of the song, which describe the location of landmarks, waterholes, and
other natural phenomena. <span lang="EN-US">In
some cases, the paths of the creator-beings are said to be evident from their
marks, or petrosomatoglyphs, on the land, such as large depressions in the land
which are said to be their footprints.<br />
<br />
</span>By singing the songs in the appropriate sequence, Indigenous people
could navigate vast distances, often travelling through the deserts of
Australia's interior."</p><p class="MsoNormal">- from Wikipedia <o:p></o:p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuFJFA495-VIbYZBWPtNBqWFRnY8qL7HEXc1STQa4W4FZj7Qf3cRtw_mQ6iHayVSgSmNKsKmIUov1mf2SSQPRxxvCz4nkVOW0maBHMWgLvczRqTFRjZKQ5_uyYU8SysLKlxr6SYYhcYNhOANJanaVNo2J2s61V5N05C9mP5a0ZoqlYXKAbtQhtGkh4Hg/s1183/Australia%20-%20Sydney%20%233%20_%20Barilari.jpg" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" data-original-height="368" data-original-width="1183" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuFJFA495-VIbYZBWPtNBqWFRnY8qL7HEXc1STQa4W4FZj7Qf3cRtw_mQ6iHayVSgSmNKsKmIUov1mf2SSQPRxxvCz4nkVOW0maBHMWgLvczRqTFRjZKQ5_uyYU8SysLKlxr6SYYhcYNhOANJanaVNo2J2s61V5N05C9mP5a0ZoqlYXKAbtQhtGkh4Hg/w640-h200/Australia%20-%20Sydney%20%233%20_%20Barilari.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://www.fabiobarilariart.com/australia" target="_blank">Sydney</a></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGImqbrsoNCOWI7-bpTBmAD1-2gopfCTVzTw_WC47FkQyv0mX0CisMUfYoMrj8yyrK7I2Zklg7Ox6Si2ZB9khSQ7blbbJ0uxx0IEVI4VJbg8taKhv_ZIVzuRbksWVygbycoj-wPeX0zkOqRGEj_9cZvO8HwQjwZD-HIK6LV4y653GbmizjNggHlpVhrA/s1183/Australia%20-%20Sydney%20_%20Barilari%20.jpg" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" data-original-height="371" data-original-width="1183" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGImqbrsoNCOWI7-bpTBmAD1-2gopfCTVzTw_WC47FkQyv0mX0CisMUfYoMrj8yyrK7I2Zklg7Ox6Si2ZB9khSQ7blbbJ0uxx0IEVI4VJbg8taKhv_ZIVzuRbksWVygbycoj-wPeX0zkOqRGEj_9cZvO8HwQjwZD-HIK6LV4y653GbmizjNggHlpVhrA/w640-h200/Australia%20-%20Sydney%20_%20Barilari%20.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://www.fabiobarilariart.com/australia" target="_blank">Lizard Island / Sydney</a></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrZHjH-Dt2ofWEGMSB3pE3AM3XvEUYRMcrPzyLgbsRBa463eDzhTZatBLKtuWqCy9r8tmEIbkXAGGeqpmqS8JlFf8fuKtJscKRlGnwA0F-Y-7yh7SMcDA7VJ9pOAFvsqyzr4lNOJjCzMiqYLePQjImxaFaErGJiOatPeYMa3IA5TnJbry5vfSoW1tMiA/s1185/Australia%20-%20Sydney%20_%20Fish%20Market_a%20_%20Barilari%20.jpg" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" data-original-height="365" data-original-width="1185" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrZHjH-Dt2ofWEGMSB3pE3AM3XvEUYRMcrPzyLgbsRBa463eDzhTZatBLKtuWqCy9r8tmEIbkXAGGeqpmqS8JlFf8fuKtJscKRlGnwA0F-Y-7yh7SMcDA7VJ9pOAFvsqyzr4lNOJjCzMiqYLePQjImxaFaErGJiOatPeYMa3IA5TnJbry5vfSoW1tMiA/w640-h198/Australia%20-%20Sydney%20_%20Fish%20Market_a%20_%20Barilari%20.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://www.fabiobarilariart.com/australia" target="_blank">Sydney</a></td></tr></tbody></table>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comUluṟu, Petermann Territorio del Nord 0872, Australia-25.3444277 131.0368822-27.306538351661086 128.839616575 -23.382317048338916 133.234147825tag:blogger.com,1999:blog-3287563045069304771.post-81042845922747206232022-05-30T20:13:00.004+02:002022-05-30T20:13:42.209+02:00Roma dall'Aeroplano<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD9v_74k-N8J0Df0YRyQHDfzgx-7SUXm0alqUKLDT6A1yFBWNVduWw5QB0bHUgI_oxverpmiX1eo_HEcegLVAe-gM7ugBlFBa6LZvgl1IReoOh_yU52_N6H55adH4SfUY4SKTit046JzId5oA2oeI8rpr-zSPx11PoDTgeLAwqbD-XwKa-V86lLQYcXA/s1370/285186145_10223926371402035_7842124533261908378_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1370" data-original-width="1370" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD9v_74k-N8J0Df0YRyQHDfzgx-7SUXm0alqUKLDT6A1yFBWNVduWw5QB0bHUgI_oxverpmiX1eo_HEcegLVAe-gM7ugBlFBa6LZvgl1IReoOh_yU52_N6H55adH4SfUY4SKTit046JzId5oA2oeI8rpr-zSPx11PoDTgeLAwqbD-XwKa-V86lLQYcXA/w640-h640/285186145_10223926371402035_7842124533261908378_n.jpg" width="640" /></a></div><p class="MsoNormal">La prima foto aerea di Roma.</p><p class="MsoNormal">Si intitola "Roma dall'Aeroplano"</p><p class="MsoNormal">1919, 100 anni fa.</p><p class="MsoNormal">100 volte più piccola di oggi.<o:p></o:p></p><p class="MsoNormal">Prima della calata dei barbari<o:p></o:p></p><p class="MsoNormal">Il Colosseo è in campagna. </p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">San Pietro è stato appena circondato da Prati, la prima
speculazione edilizia.<o:p></o:p></p><p class="MsoNormal">
</p><p class="MsoNormal"></p><p></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-50443609801324423012022-05-05T14:04:00.005+02:002022-05-05T14:09:06.570+02:00Sketching Around<p> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmQVZyesm90Myr3kksMPc59xUWV2q_U5SVH16KNKRn60ZqzeZ5dGSvLrcdoQam1vuJuAUqpgIrh_v5e28Qy_siTBRrwZsjwfEtqUIe77rVpinMHAZN39MlNx5bRoc3Q8kLNc91BZjnGUAHlGCIHrnX78d3Y2HHpw2ihcDwjS5lZJTgy4vkWO0UI-6Qyw/s1404/C10%20(1).jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="900" data-original-width="1404" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmQVZyesm90Myr3kksMPc59xUWV2q_U5SVH16KNKRn60ZqzeZ5dGSvLrcdoQam1vuJuAUqpgIrh_v5e28Qy_siTBRrwZsjwfEtqUIe77rVpinMHAZN39MlNx5bRoc3Q8kLNc91BZjnGUAHlGCIHrnX78d3Y2HHpw2ihcDwjS5lZJTgy4vkWO0UI-6Qyw/w640-h410/C10%20(1).jpg" width="640" /></a></p><p class="MsoNormal"><i>9. Dibuja.</i><o:p></o:p></p><p class="MsoNormal"><i>10. En serio, dibuja. Sal a la calle y dibuja. Observarás
detalles que a simple vista omitirías. Es ideal para agudizar el ojo
arquitectónico.</i><o:p></o:p></p><p></p><p class="MsoNormal"><i>“(…) No le tengas miedo al papel en blanco. Muchas veces
rayando o dibujando libremente sobre él las ideas vendrán a tu mente. El
trabajo muscular que hace tu brazo al dibujar sobre el papel, permitirá que tus
ideas se conecten."</i></p><p class="MsoNormal">.</p><p>Nice to find my travel drawings on <a href="https://www.plataformaarquitectura.cl/cl/756554/50-consejos-para-estudiantes-latinoamericanos-de-arquitectura" target="_blank">Archdaily</a> and <a href="https://escuelaarquitectura.es/50-consejos-para-estudiantes-de-arquitectura/" target="_blank">Escuela De Architectura</a>, as <i>consejos para estudiantes latinoamericanos de arquitectura</i></p><p class="MsoNormal"><o:p></o:p></p>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-63477398360638916672022-04-13T13:49:00.003+02:002022-04-13T13:49:44.013+02:00Billionaires' Row<p style="text-align: center;"> <iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ep_GTIQgYc8" title="YouTube video player" width="560"></iframe></p><div style="text-align: center;"><div style="font-family: Arial; text-align: start;"><p class="MsoNormal">111 West 57th Street / Steinway Tower<o:p></o:p></p><p class="MsoNormal">SHoP Architects</p>
<p class="MsoNormal">Dimensioni 24,5 x 18 x 435m<o:p></o:p></p>
<p class="MsoNormal">60 appartamenti in totale, per un costo compreso tra 18 e 57M di
$ e una metratura da 417 a 662mq, pari a oltre 85.000$/mq.<o:p></o:p></p>
<p class="MsoNormal">Facciate est e ovest rivestite in in terracotta e
bronzo.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB1Kb4lygG-PU7W_QIPyCa1kOL46pmJK1Wv6Up8jnhzJKdPJ5PEWGUvxbSxEtC2kFpxBJUBYmUPv6J66FyHcHtY1ePA6SzuKJvmD9jEhHcxpLbWeD1QKR15J5NGZA8uTIHA-mKR1BTMCQDCTE1XqH4ndCm_TRGg0XJnlOWDgmM5l32jqxar-pVRm3aGQ/s898/278236646_10223661543381500_8049098251587972522_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="898" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB1Kb4lygG-PU7W_QIPyCa1kOL46pmJK1Wv6Up8jnhzJKdPJ5PEWGUvxbSxEtC2kFpxBJUBYmUPv6J66FyHcHtY1ePA6SzuKJvmD9jEhHcxpLbWeD1QKR15J5NGZA8uTIHA-mKR1BTMCQDCTE1XqH4ndCm_TRGg0XJnlOWDgmM5l32jqxar-pVRm3aGQ/w513-h640/278236646_10223661543381500_8049098251587972522_n.jpg" width="513" /></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Per avere la dimensione di questo intervento, bisogna rapportarsi allo skyline di grattacieli che circondano Central Park, a quella vista bellissima che fa da quinta al parco, visti anche in innumerevoli film ambientati a NY: scompaiono tutti rispetto alla <span style="text-align: start;">Steinway Tower.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: left;"><span style="text-align: start;">E non è l'unica: diversi altri grattacieli sono già stati completati con queste caratteristiche e altri sono in fase di sviluppo.</span></div><div style="font-family: Arial; text-align: start;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMi7OMY64eikbMhHnMiTi2fXiOWQYSfYqUrD6DVPihX03HelxO4v8hHRJAqguDIxn68RmahBuORTkW__QISpQZ2WN1Ipswr9xojR8sjC6RRWxceNe2B-UlqkqKcB4RZJmyu5G0voFMXMtWRGdc0qvsYPYzZBM7C5kdLhIrY1oi-8RRDWbn8OFSo8HruQ/s960/278213587_10223661543981515_8958537786174514565_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="687" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMi7OMY64eikbMhHnMiTi2fXiOWQYSfYqUrD6DVPihX03HelxO4v8hHRJAqguDIxn68RmahBuORTkW__QISpQZ2WN1Ipswr9xojR8sjC6RRWxceNe2B-UlqkqKcB4RZJmyu5G0voFMXMtWRGdc0qvsYPYzZBM7C5kdLhIrY1oi-8RRDWbn8OFSo8HruQ/w458-h640/278213587_10223661543981515_8958537786174514565_n.jpg" width="458" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTpf42d75_exgFl3zDnQOFP7FkVn6dI3tkjnY6XHP1-ZTR0gfu0_Bx76DtnFy5aJCbMwyQTVazfU3iXtudaCSXU9Yf2PoP027wBI1yHig3rss9KI4e1Jqx3rU5vCVxdrSnOZcoaO4cHS6tuPWxCjS6XoIEU_bfrrWdWhlew4ZRjKp9acj0sTJ_4lzfWg/s1221/7397aba94b3710b52175338031d3f455.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1221" height="420" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTpf42d75_exgFl3zDnQOFP7FkVn6dI3tkjnY6XHP1-ZTR0gfu0_Bx76DtnFy5aJCbMwyQTVazfU3iXtudaCSXU9Yf2PoP027wBI1yHig3rss9KI4e1Jqx3rU5vCVxdrSnOZcoaO4cHS6tuPWxCjS6XoIEU_bfrrWdWhlew4ZRjKp9acj0sTJ_4lzfWg/w640-h420/7397aba94b3710b52175338031d3f455.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTdHW-hL9XFr1geNnX4xsajWk_JNR0BW_tim1wRfh8FNCSjNirv4V0ok36L5hhoj02i90VrmH3uy6pIVbz3ZnrQLQJ0LuxPHA7JdvXkiwGaxRGfdosY47H58vhE9uEoYlg655TJgDsCTpWnDxGfq_lQ8UTYrujD-Ohb1SNtFQG4XNuWg-P6hTq5JhnGw/s1500/111W57-facade-design2-JDS.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTdHW-hL9XFr1geNnX4xsajWk_JNR0BW_tim1wRfh8FNCSjNirv4V0ok36L5hhoj02i90VrmH3uy6pIVbz3ZnrQLQJ0LuxPHA7JdvXkiwGaxRGfdosY47H58vhE9uEoYlg655TJgDsCTpWnDxGfq_lQ8UTYrujD-Ohb1SNtFQG4XNuWg-P6hTq5JhnGw/w640-h426/111W57-facade-design2-JDS.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzOB8wwmtQ2GMnduALI4bcxGXb2Y2ElBHiexBmKEJa2hlM_inIEAZ7h-kAWeYOOtbBKU4mZGRag_hv0In4rq1EasoIKve3uRv8qlwI7HR2Iz99JQaozd1G23J0bPqU3eHRRy67F4tudMXnk99XZ4hyook0iYb75qglvw-tq5AyTbdSdRIHAGjfdg0qoA/s1227/SHoP-architects-111-west-57th-street-new-york-exterior-architecture-completion-designboom-01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1227" data-original-width="818" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzOB8wwmtQ2GMnduALI4bcxGXb2Y2ElBHiexBmKEJa2hlM_inIEAZ7h-kAWeYOOtbBKU4mZGRag_hv0In4rq1EasoIKve3uRv8qlwI7HR2Iz99JQaozd1G23J0bPqU3eHRRy67F4tudMXnk99XZ4hyook0iYb75qglvw-tq5AyTbdSdRIHAGjfdg0qoA/w426-h640/SHoP-architects-111-west-57th-street-new-york-exterior-architecture-completion-designboom-01.jpg" width="426" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p class="MsoNormal">Le dinamiche economiche e urbane che sono alla base di questi progetti rappresentano un capitolo radicalmente nuovo nella storia delle città. </p><p class="MsoNormal">Si tratta di interventi con un rapporto tra base e altezza talmente esasperato, da implicare oscillazioni e danni agli impianti che sono già ampiamente documentati su altri interventi simili come il precedente <a href="https://www.ilpost.it/2021/02/08/432-park-avenue/" target="_blank">432 Park Avenue</a>. Per comprendere le logiche alla base di questi progetti, non ci si può quindi rapportare alla nozione consolidata di rapporto tra città e architettura: in questo video viene descritto bene un nuovo mondo che si sta sviluppando e che non ha precedenti simili. </p><p class="MsoNormal" style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Wehsz38P74g" title="YouTube video player" width="560"></iframe></p></div></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-10335567898448110482022-03-04T19:32:00.016+01:002022-03-05T16:04:39.116+01:00The Albers Foundation | Piantare semi<div class="separator"><b style="text-align: justify;">Intro</b><span style="text-align: justify;">: </span><i style="text-align: justify;">"Ha un suo fascino il fatto che per secoli, per
calcolare </i><i style="text-align: justify;">approssimativamente - in musica - il tempo, la durata di una nota scelta come punto di
riferimento, ci si attenne al battito medio del polso umano"</i></div><p style="text-align: justify;">Avevo scritto questo post da diverse settimane: avevo completato la ricerca sul percorso così articolato di questa storia e stavo cercando di trovare il <i>tempo</i> per affinare racconto e immagini. </p><p style="text-align: justify;">Negli ultimi giorni i <i>tempi</i> molto più assoluti e distopici degli eventi storici, hanno rubato tutta l'attenzione.</p><p style="text-align: justify;">Da anni trovo particolarmente interessante lavorare sul <i>tempo</i> in architettura. Ho sviluppato diversi progetti sul rapporto tra <i>tempi</i> diversi, lavorando su questa unità di misura che in musica ha un senso più esplicito. </p><p class="MsoNormal"><i>"Music, like architecture, is an immersive experience – it
surrounds you. One can turn away from a painting or a work of sculpture, while
music and architecture engulf the body in space."</i> _ Steven Holl<o:p></o:p></p><p style="text-align: justify;">In questo testo, il tema del <i>tempo</i> si dilata in maniera esasperata, tra l'istante di uno <i>sparo</i> e lo sviluppo silenzioso di un'<i>idea.</i> Tra la distruzione e la costruzione. </p><span><a name='more'></a></span><p style="text-align: justify;">------</p><p style="text-align: justify;">Ogni tanto si aprono bellissimi percorsi di ricerca inaspettati.</p><p style="text-align: justify;">Qualche settimana fa Michael Fitzpatrick, un amico, mi ha inviato un <a href="https://www.theguardian.com/artanddesign/2021/nov/11/bauhaus-africa-hospital-senegal-inspired-anni-josef-albers?CMP=Share_iOSApp_Other" target="_blank">articolo del Guardian</a>, molto interessante, su un progetto che non conoscevo, inaugurato recentemente, che trovo eccezionale per tante ragioni. Si tratta di un ospedale dell'architetto <a href="http://www.manuelherz.com/projects" target="_blank">Manuel Hertz</a> in Senegal: il <a href="https://www.theguardian.com/artanddesign/2021/nov/11/bauhaus-africa-hospital-senegal-inspired-anni-josef-albers?CMP=Share_iOSApp_Other" target="_blank">Tambacounda Hospital</a>, in una delle aree più calde del pianeta. </p><p style="text-align: justify;">Da molto tempo mi si conferma l'idea che molte delle ricerche e sperimentazioni architettoniche più interessanti in corso, provengano da paesi o studi professionali completamente esterni al mainstream. In questo caso mi hanno colpito immediatamente le immagini di questo progetto così raffinato quanto essenziale.</p><p style="text-align: justify;">L'idea di ottenere un massimo effetto con il minimo dei mezzi a disposizione è una delle sfide che reputo da sempre tra le più interessanti in termini di creatività. Varrebbe da solo il bellissimo gioco della luce naturale creato da questi conci in laterizio lungo il corridoio curvo. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYRxyvvIWAWX_ZWDorIy9tkbIbhVtfEEb9UW_mm8VdNfodY2ajhKeM-HNUjWkAZbwRFuFv1SV3hT8ajZCtPApj6IKISn80_0GEXEh-k2lbrUenelZjio9p4lR5EscStfamp2O934-JW-_H/s1024/04-tambacounda-hospital-6-057-VIS-cam-C-v02Play-Time-en.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="853" data-original-width="1024" height="534" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYRxyvvIWAWX_ZWDorIy9tkbIbhVtfEEb9UW_mm8VdNfodY2ajhKeM-HNUjWkAZbwRFuFv1SV3hT8ajZCtPApj6IKISn80_0GEXEh-k2lbrUenelZjio9p4lR5EscStfamp2O934-JW-_H/w640-h534/04-tambacounda-hospital-6-057-VIS-cam-C-v02Play-Time-en.jpg" width="640" /></a></div><div><br /></div><div>Tambacounda è qui: </div><div style="text-align: center;"> <iframe allowfullscreen="" height="450" loading="lazy" src="https://www.google.com/maps/embed?pb=!1m18!1m12!1m3!1d71044.09202548697!2d-13.704151691588022!3d13.770894675695544!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0xeefd1089634376b%3A0x702e1dabdd40976!2sTambacounda%2C%20Senegal!5e1!3m2!1sit!2sit!4v1644893933892!5m2!1sit!2sit" style="border: 0;" width="600"></iframe> </div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVgJof1qXTBZrqkqcWhI8FuQW-TqWc3lRZNO7t8X9tik47EyPNLueNl8c4ygntILJX-0f4stACr1IOvy6x2jf4U2gjxiuapWWU3V19rfSi_75Qc6dKm0lccm6oV04WAVLC4muQ-B_JEYJW/s1499/Tambacounda_21-04_2579.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1000" data-original-width="1499" height="427" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVgJof1qXTBZrqkqcWhI8FuQW-TqWc3lRZNO7t8X9tik47EyPNLueNl8c4ygntILJX-0f4stACr1IOvy6x2jf4U2gjxiuapWWU3V19rfSi_75Qc6dKm0lccm6oV04WAVLC4muQ-B_JEYJW/w640-h427/Tambacounda_21-04_2579.jpg" width="640" /></a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Sono andato più a fondo - non posso farne a meno, ogni volta che incontro qualcosa di importante in ambito creativo - cercando notizie in particolare sulla Fondazione che ha promosso questo intervento, la <a href="https://albersfoundation.org/" target="_blank">Albers Foundation</a>, che non conoscevo, trovando anche questo articolo sul Financial Times: "<a href="https://www.ft.com/content/0c2a118d-eb13-43fa-97f4-7edd591a91d7" target="_blank">The philantropic genius of Josef and Anni Albers</a>".</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Si apre un mondo.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: justify;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9ObPJ5WVgMRLATn8efoQb89VyWZe17x_4xXGhyphenhyphenMV-ZkMy7jPfIhZolrKnOJOcAx6HUrbrFK7bYHEGWEIXYyFb6BCgqHcJQJdxPGLsxDZju6A2yX26PMVlg8byHlTsupD2CfMcEMF4N9cu/s840/josef-Albers3-840x835.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="835" data-original-width="840" height="636" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9ObPJ5WVgMRLATn8efoQb89VyWZe17x_4xXGhyphenhyphenMV-ZkMy7jPfIhZolrKnOJOcAx6HUrbrFK7bYHEGWEIXYyFb6BCgqHcJQJdxPGLsxDZju6A2yX26PMVlg8byHlTsupD2CfMcEMF4N9cu/w640-h636/josef-Albers3-840x835.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Josef Albers<br /></td></tr></tbody></table></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="font-size: medium;">- Parte 1</span></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Conoscevo molto bene le opere di Joseph Albers (1888/1976), le sue bellissime ricerche su geometria ed astrazione, sulle <a href="https://www.ilsaggiatore.com/libro/interazione-del-colore/" target="_blank">interazioni tra colori</a>, e la sua collaborazione con la <a href="https://it.wikipedia.org/wiki/Bauhaus" target="_blank">Bauhaus</a> di Weimar e Dessau, dove entrò nel come studente 1920, per poi diventare insegnante nel 1925.</div><div style="text-align: justify;"><br /></div><div><div style="text-align: justify;"><i>“Io non insegno arte, ma filosofia e psicologia dell’arte. Non insegno a dipingere ma a vedere, (…) ad aprire gli occhi. Questo è diventato il motto di tutto il mio insegnamento”</i></div><div style="text-align: justify;">_ Josef Albers</div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgn5Ib-XaDYFmQ-MKIsuI6lk-G3Z78aOo655owRVtTsqm2zJ_uT_-CU96T-8VgtdrjhpBVPtvsmfGJpb48586rUSJogdd7xWzIw9yRX_XYo7IniNBuF7-Cq3GnSAgdpxWC22_AjfSPlfsBW5ltrC13p6oAU7osuDIxgE3sHVJekBUxULfLqD63g_vvplA=s870" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="740" data-original-width="870" height="544" src="https://blogger.googleusercontent.com/img/a/AVvXsEgn5Ib-XaDYFmQ-MKIsuI6lk-G3Z78aOo655owRVtTsqm2zJ_uT_-CU96T-8VgtdrjhpBVPtvsmfGJpb48586rUSJogdd7xWzIw9yRX_XYo7IniNBuF7-Cq3GnSAgdpxWC22_AjfSPlfsBW5ltrC13p6oAU7osuDIxgE3sHVJekBUxULfLqD63g_vvplA=w640-h544" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Josef Albers, "Orange Front"</td></tr></tbody></table><br /></div><div style="text-align: justify;"><span style="text-align: left;">Personalmente scoprii Josef Albers da studente, leggendo un'intervista a </span><a href="https://www.re-thinkingthefuture.com/know-your-architects/a520-15-projects-by-tadao-ando/" style="text-align: left;" target="_blank">Tadao Ando</a><span style="text-align: left;">, un architetto autodidatta che prima di fare l'architetto ha fatto il pugile, e che amo incondizionatamente. Tadao Ando nominava Albers tra i punti di riferimento della sua ricerca.</span></div><div style="text-align: justify;"><span style="text-align: left;"><p class="MsoNormal" style="text-align: justify;"><i>"Progettare tramite la geometria va sempre di pari passo con
la lotta tra astrazione e rappresentazione, tra razionale e irrazionale, intero
e frammento, naturale e artificiale. Queste proposizioni dualistiche affiorano
una dopo l’altra per assillare la mente di chi crea e diventano particolarmente
evidenti se guardiamo al patrimonio di geometrie che i grandi progettisti ci
hanno lasciato: quanto più profondo e intenso è il contrasto tra pura
astrazione e varietà nella rappresentazione, tanto più la creazione prende
vita, facendo emergere espressioni geometriche belle, vigorose e ricche."</i><o:p></o:p></p><p class="MsoNormal">_ da "<a href="https://www.domusweb.it/it/speciali/guest-editor/tadao-ando/2021/06/03/il-potere-della-geometria.html" target="_blank">Il Potere della Geometria</a>", Tadao Ando</p></span></div><div style="text-align: justify;"><span style="text-align: left;"><br /></span></div><div style="text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMKO8ncH2S1tlQSVb_55RIGDEkIyh0x3TgvgY3QXv04FvFXClV5c5TadvItsBDS0TjDtdcXrdeOFFcAMgI-ViSALCSbLxuG4H68BUpIJHHoLO9RKCnWswGmuwe5Vqkb4lj4UpKZYPViUJT/s1024/stringio.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1024" data-original-width="896" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMKO8ncH2S1tlQSVb_55RIGDEkIyh0x3TgvgY3QXv04FvFXClV5c5TadvItsBDS0TjDtdcXrdeOFFcAMgI-ViSALCSbLxuG4H68BUpIJHHoLO9RKCnWswGmuwe5Vqkb4lj4UpKZYPViUJT/w560-h640/stringio.jpg" width="560" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Tadao Ando - Koshino House</td></tr></tbody></table><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiQS6as5J9SJu4aii0Kq5lOoBlit6b6i8WNry9QrQID_BW7Dul-DEOF7X13vJzq4jN07sbFh79crkgIajneUAmmWNf9aSHFBnidcCMnucyVJk1a_V28msbrtPNyRe1Fl_-dbl7LFDfol1pfK4WsWZRnnoaouJJp6UHPzItvgjyVxgfMbAvz4CVJGU4hVA=s3000" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1996" data-original-width="3000" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEiQS6as5J9SJu4aii0Kq5lOoBlit6b6i8WNry9QrQID_BW7Dul-DEOF7X13vJzq4jN07sbFh79crkgIajneUAmmWNf9aSHFBnidcCMnucyVJk1a_V28msbrtPNyRe1Fl_-dbl7LFDfol1pfK4WsWZRnnoaouJJp6UHPzItvgjyVxgfMbAvz4CVJGU4hVA=w640-h426" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Tadao Ando - "For Cubes to Contemplate our Environment" _ Photo © Xavier De Jauréguiberry</td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiUwpwljaIcXvxWOekcN6KuQ_PyasCTUWhFjweWMkpdAKgtx7pJPNaiXmWd-5iUB6JHhLOEjCwMpEWRAN6lCZRA4D7Y5FEEl3_al1WxfjdWMO9HL9pacsytXyjSaKsL2qUboMpdv_-GmsdkUnHJVmExIBztmBe1XhVgxCnQpLFDo8Wh63J6TfbELInydg=s2500" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1667" data-original-width="2500" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEiUwpwljaIcXvxWOekcN6KuQ_PyasCTUWhFjweWMkpdAKgtx7pJPNaiXmWd-5iUB6JHhLOEjCwMpEWRAN6lCZRA4D7Y5FEEl3_al1WxfjdWMO9HL9pacsytXyjSaKsL2qUboMpdv_-GmsdkUnHJVmExIBztmBe1XhVgxCnQpLFDo8Wh63J6TfbELInydg=w640-h426" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Tadao Ando, Fondazione Pinault, Punta di Dogana - Venezia _ Photo © Felix Michaud</td></tr></tbody></table><br /><div style="text-align: justify;">L'interdisciplinarietà era una delle caratteristiche più interessanti della Bauhaus. Ogni corso veniva tenuto da un artista e un maestro artigiano insieme, mirando alla fusione di arte, tecnica e artigianato.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><i>“La Bauhaus è stata una scuola democratica nel senso pieno
del termine: appunto per questo il nazismo, appena arrivato al potere, l’ha
soppressa nel 1933. </i></div><div style="text-align: justify;"><i>Era fondata sul principio della collaborazione, della ricerca
comune fra maestri e allievi, parecchi dei quali sono ben presto diventati
docenti. </i></div><div style="text-align: justify;"><i>Oltre che scuola democratica, era scuola di democrazia: il concetto
era che una società democratica (cioè funzionale e non gerarchica) sia una
società che si autodetermina, cioè si forma e sviluppa da sé, organizza ed
orienta il proprio progresso. </i></div><div style="text-align: justify;"><i>Progresso è educazione, strumento dell’educazione
è la scuola; dunque la scuola è il seme della società democratica”</i>. </div><div style="text-align: justify;">da Giulio Carlo Argan</div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkNekHJUiNWKHf1I_N4xWHK6zF7BeMelmCJ7x9IH5_5e51KALX0TXLK5UwYD-IBRuJTmJXU24C8f3YSKirWktV7o5URn3yT0B4bwMSJYJbEDARnLo1Zz33mpbCpt0O_baSQZBWB4aSdtfy/s1017/Weimar+1+-+Barilari.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="1017" height="483" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkNekHJUiNWKHf1I_N4xWHK6zF7BeMelmCJ7x9IH5_5e51KALX0TXLK5UwYD-IBRuJTmJXU24C8f3YSKirWktV7o5URn3yT0B4bwMSJYJbEDARnLo1Zz33mpbCpt0O_baSQZBWB4aSdtfy/w640-h483/Weimar+1+-+Barilari.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Weimar © Fabio Barilari</td></tr></tbody></table></div><div style="text-align: justify;"><span style="font-size: 11pt;"><span style="font-family: inherit;"><i><br /></i></span></span></div><div style="text-align: justify;"><span><span><span style="font-family: inherit;">Weimar, sede della nascita della democrazia costituzionale tedesca nel 1919, e la Bauhaus, fondata da nello stesso anno sul libero pensiero e sulla ricerca creativa, rappresentavano una spina nel fianco del regime nazista che stava crescendo. Talmente pericolosa che Hitler venne di persona a parlare a Weimar più di 40 volte prima del '33 e fu nei sobborghi di questa piccolissima cittadina tedesca che fece costruire uno dei primi e più crudeli campi di concentramento, quello di Buckenwald. </span></span></span></div><div style="text-align: justify;"><span><span><span style="font-family: inherit;"><i><br /></i></span></span></span></div><div style="text-align: justify;"><span><span style="font-family: inherit;"><i>«Prima della presa di potere dei nazisti, Weimar era
meglio conosciuta come la casa di Johann Wolfgang Von Goethe, che ha incarnato l'illuminismo
tedesco del XVIII, e come il luogo di nascita della democrazia costituzionale
tedesca nel 1919, la Repubblica di Weimar. </i></span></span></div><div style="text-align: justify;"><span><span style="font-family: inherit;"><i>Durante il regime nazista,
"Weimar" è stato associato al campo di concentramento di Buchenwald»</i></span></span></div><div style="text-align: justify;"><span style="font-size: 11pt;"><span style="font-family: inherit;"><i><br /></i></span></span></div><div style="text-align: justify;"><span style="font-size: 11pt;"><span style="font-family: inherit;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSob0QPO_BXMbzz8bsYnAHWbc1yWI1nsaRqtyO-N3zB8ORGMk8LRhk3vJ_tcyB8Ym67xCqTIJI_qBAK88Zxzw1BF7dUf0NxR1WuKOFOfEolzCNoNeXGYe7qCxAYP-ETtDwoR97pZVcsroi/s769/Weimar+-+Goethe-Schiller_1+-+Barilari.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="769" data-original-width="768" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSob0QPO_BXMbzz8bsYnAHWbc1yWI1nsaRqtyO-N3zB8ORGMk8LRhk3vJ_tcyB8Ym67xCqTIJI_qBAK88Zxzw1BF7dUf0NxR1WuKOFOfEolzCNoNeXGYe7qCxAYP-ETtDwoR97pZVcsroi/w639-h640/Weimar+-+Goethe-Schiller_1+-+Barilari.jpg" width="639" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Weimar - Goethe and Schiller © F. Barilari</td></tr></tbody></table><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;">La Bauhaus riuscì a essere, soprattutto nei suoi primi anni,
una scuola d’arte in cui i docenti erano grandi artisti, ma anche quello che
il Guardian ha definito «un’anticipazione delle comuni californiane degli
anni Sessanta», che nacquero solo una ventina di anni dopo la fine dell'incubo. </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Alla Bauhaus c’erano spesso feste a tema e in genere un’atmosfera
piuttosto libertaria. C’erano studenti da tutto il mondo e c’era una <a href="https://www.archdaily.com/890807/the-lost-history-of-the-women-of-the-bauhaus" target="_blank">relativa parità</a> tra studenti e studentesse, </span><span style="text-align: left;">grazie alla nuova Costituzione della Repubblica di Weimar,
che garantì alle donne libertà di apprendimento illimitata. </span></div><div style="text-align: justify;"><span style="text-align: left;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRQ3KksJXJg0tE8hQeU_nvi9KapuMIWvkAeXnAFBVaBUIkM0DH29WbDbyBo1QhsA9j0lbdOc-MHBqzOwuzlpqZl6U5d1FBwScC0s8lN5-Ec96JyBDA81Woqw2jtZpBoTr7kHF0GO74gSRP/s1682/main.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1277" data-original-width="1682" height="486" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRQ3KksJXJg0tE8hQeU_nvi9KapuMIWvkAeXnAFBVaBUIkM0DH29WbDbyBo1QhsA9j0lbdOc-MHBqzOwuzlpqZl6U5d1FBwScC0s8lN5-Ec96JyBDA81Woqw2jtZpBoTr7kHF0GO74gSRP/w640-h486/main.jpg" width="640" /></a></div></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIngCqwUB9_8lBgctGeHH7KD16rYmkEuXG3hJPj_jQUcuXS3kLKqfVtB5yn2EBiw8wjeDyUrJ77YGN4RFJFQ9P6jq1xx0DcyEJlUmKGP0hiSb-4dkn4x-CVnj1RVCFmkvQTlYeQPjwcOS_/s950/F154_scan_web_quer.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="602" data-original-width="950" height="406" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIngCqwUB9_8lBgctGeHH7KD16rYmkEuXG3hJPj_jQUcuXS3kLKqfVtB5yn2EBiw8wjeDyUrJ77YGN4RFJFQ9P6jq1xx0DcyEJlUmKGP0hiSb-4dkn4x-CVnj1RVCFmkvQTlYeQPjwcOS_/w640-h406/F154_scan_web_quer.jpg" width="640" /></a></div><br /><div style="text-align: justify;"><span style="font-family: inherit;">I nomi che, come insegnanti o come studenti, passarono per questa scuola, ideata dall'architetto <a href="https://en.wikipedia.org/wiki/Walter_Gropius" target="_blank">Walter Gropius</a>, avrebbero letteralmente creato il comune senso dell'estetica nell'arte e l'architettura del XX secolo. </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Tra questi, Vasilij V. Kandinskij, Paul Klee, Josef Albers, Oskar
Schlemmer, Johannes Itten, Laszlo Moholy-Nagy, Adolf
Meyer, Marcel Breuer, Hannes Meyer, Ludwig Mies van der Rohe,</span></div><div><span style="font-family: inherit;"><br /></span></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTYgO9v4BY82zeMTFodpXiXauwc5vuSl2KUy4euM4KRef5zWrLnTU48lJit_w4GEa0b1cBXKzbqhHNWtTzXaGK0hX5KMypyzTPWyWhsAohqlIr3H67iMrjgkCg7rIAe1Nm6VyEU8e66oEz/s872/Klee+-+Kandinsky%252C+1929+Dessau.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="577" data-original-width="872" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTYgO9v4BY82zeMTFodpXiXauwc5vuSl2KUy4euM4KRef5zWrLnTU48lJit_w4GEa0b1cBXKzbqhHNWtTzXaGK0hX5KMypyzTPWyWhsAohqlIr3H67iMrjgkCg7rIAe1Nm6VyEU8e66oEz/w640-h424/Klee+-+Kandinsky%252C+1929+Dessau.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p class="MsoNormal">Paul Klee e Wassily Kandinsky nel 1929 a Dessau<o:p></o:p></p></td></tr></tbody></table></div><div><p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">L’arrivo del nazismo, con il
suo odio verso quelle forme di espressione libera e di ricerca, che venivano considerate "<a href="https://it.wikipedia.org/wiki/Arte_degenerata" target="_blank"><i>arte degenerata</i></a>", sancì la fine della scuola. <o:p></o:p></span>Senza sovvenzioni statali, con molti docenti licenziati perché ritenuti sovversivi e con continue pressioni della Gestapo, nel 1933 fu costretta alla chiusura.</p><p class="MsoNormal">
In molti furono costretti ad emigrare, venendo spesso accolti come ambasciatori
di un’esperienza che già era considerata dagli ambienti culturali
internazionali dell'epoca, come rivoluzionaria.<o:p></o:p></p><p class="MsoNormal" style="text-align: justify;">Josef Albers e sua moglie Anni, come molti altri artisti e
architetti tedeschi, si trasferirono negli Stati Uniti dove l'architetto Philip
Johnson, allora curatore del Museum of Modern Art di New York City, fece in
modo che a Josef venisse offerto un lavoro come capo di una nuova scuola
d'arte, il Black Mountain College, in North Carolina: un college sperimentale,
strutturato su principi educativi che enfatizzavano l'apprendimento olistico e
lo studio dell'arte come centrali per un'educazione artistica liberale.<o:p></o:p></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">In quella sorta di travaso culturale oltreoceano, successivo al suicidio del vecchio continente.</span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">Tra i docenti e studenti che frequentarono quel college, oltre agli Albers, figurano Cy Twombly, Robert Rauschenberg, Susan Weil, John Cage, Buckminster Fuller, Franz Kline, Willem e
Elaine de Kooning. </span></p><p class="MsoNormal"><span style="font-family: inherit;"><o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"></div><p class="MsoNormal" style="text-align: justify;"><span style="font-family: inherit;">Successivamente, dal 1950, Josef Albers passò ad insegnare a Yale. </span><span style="font-family: inherit;">I suoi corsi hanno influenzato generazioni di pittori.</span></p></div><div style="text-align: justify;"><span style="font-family: inherit;">Durante gli anni di insegnamento a Yale, Josef Albers sviluppò la sua serie di quadri più nota, "<a href="https://www.google.com/search?q=%22Homage+to+Square%22&sxsrf=AOaemvIBX2OMF_qtBchtEAtBVAlecEmGAQ:1636633260124&source=lnms&tbm=isch&sa=X&ved=2ahUKEwit1OKAppD0AhXCyaQKHaXrACgQ_AUoAXoECAEQAw&biw=1920&bih=880&dpr=1" target="_blank">Homage to Square</a>".</span></div><div><br /></div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXLEDsTQ_qidgXhwYxLfgjMrVvFNcAwEGLEBBUHectE7RFMf9cpIi4Dakfa23hBclJ4UW7c_wxZw6QfOjQMhii7uv9dfcRC85wuJKeTpMP3CcAqnENVkI0_Y1xS5gZa35bN5iTAr4NytQE/s768/aa20e14e154f35721d61a55b91738bc4.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="764" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXLEDsTQ_qidgXhwYxLfgjMrVvFNcAwEGLEBBUHectE7RFMf9cpIi4Dakfa23hBclJ4UW7c_wxZw6QfOjQMhii7uv9dfcRC85wuJKeTpMP3CcAqnENVkI0_Y1xS5gZa35bN5iTAr4NytQE/w636-h640/aa20e14e154f35721d61a55b91738bc4.jpg" width="636" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Josef Albers, "Homage to Square"</td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie4xyp2dBzJBYF_4W96_XFbj2SB3VcmObPuZ1N4qb7oW5w_PW5i2sHFAgGpXgL87RuJG4iRCee2W9qckLpjUstEOiuOdl8-8iibK97uHGj2EQnCUr3E-5A6-D-vlBQTyo6_uJmGbMG0wu7/s892/Josef+Albers+in+Mexico%252C+Solomon+R+Guggenheim+Museum%252C+2018.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="603" data-original-width="892" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie4xyp2dBzJBYF_4W96_XFbj2SB3VcmObPuZ1N4qb7oW5w_PW5i2sHFAgGpXgL87RuJG4iRCee2W9qckLpjUstEOiuOdl8-8iibK97uHGj2EQnCUr3E-5A6-D-vlBQTyo6_uJmGbMG0wu7/w640-h432/Josef+Albers+in+Mexico%252C+Solomon+R+Guggenheim+Museum%252C+2018.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span face=""Calibri","sans-serif"" style="font-size: 11pt; mso-ansi-language: IT; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Josef Albers in Mexico, Solomon R Guggenheim Museum,
2018</span></td></tr></tbody></table><p class="MsoNormal" style="text-align: justify;">C'è un aspetto difficile da comprendere, che riguarda il perchè la Bauhaus, di fatto sbarcata in forze negli Stati Uniti, non sia stata rifondata importandone il metodo rivoluzionario. </p><p class="MsoNormal" style="text-align: justify;">Tendo a pensare che tra gli anni '20 e <o:p>gli anni '30 </o:p>la Germania - Weimar in particolare - si trovasse in una dimensione culturale e sociale enormemente piú avanzate rispetto a quanto non fosse l'America nella seconda metà degli anni '40. </p><p class="MsoNormal" style="text-align: justify;">In realtà la Germania era probabilmente la nazione più avanzata al mondo anche nelle arti figurative, nella filosofia, nella letteratura, nella musica. E naturalmente tutto questo rende ancora più drammatico il paradosso di quello che è stato.</p><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhjekmYWkjf3Wk-2FaliMBmyQ2A89UpQ7KMkYd91_N6bwr69Y3YWiMg5zoEq0lvdLaZlKg6fy1FlPf1c6Vr4oRizntpMr7tFpUOcj6lkgwKwsmQCCytN5NPi7jMydT4Mdn0SymC05YxBTJBRy8j50M1Ahn3tv3FTZ0ZwHEbq5QJAge-iMiqrE8DmGDB_w=s1200" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1154" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhjekmYWkjf3Wk-2FaliMBmyQ2A89UpQ7KMkYd91_N6bwr69Y3YWiMg5zoEq0lvdLaZlKg6fy1FlPf1c6Vr4oRizntpMr7tFpUOcj6lkgwKwsmQCCytN5NPi7jMydT4Mdn0SymC05YxBTJBRy8j50M1Ahn3tv3FTZ0ZwHEbq5QJAge-iMiqrE8DmGDB_w=w385-h400" width="385" /></a></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><br /></div><b style="text-align: justify;"><span style="font-size: large;">- Parte 2</span></b><div><div style="text-align: justify;"><b><br /></b></div><div style="text-align: justify;">Conoscevo meno <a href="https://www.moma.org/collection/works/2613" target="_blank">Anni Albers </a>(1899/1994).</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Di famiglia ricca, appassionata di pittura da sempre, venne completamente scoraggiata a proseguire in questa attività da <a href="https://en.wikipedia.org/wiki/Oskar_Kokoschka" target="_blank">Oskar Kokoschka</a>. </div><div style="text-align: justify;">Dopo una breve periodo di studi nell'ambito artistico ad Amburgo, approdò alla Bauhaus, dove studiò tra gli altri, con <a href="https://it.wikipedia.org/wiki/Johannes_Itten" target="_blank">Itten</a> e <a href="https://it.wikipedia.org/wiki/Paul_Klee" target="_blank">Paul Klee</a>. </div><div style="text-align: justify;">Alcuni corsi però, tra i quali quello di architettura, erano aperti solo agli uomini: <span style="text-align: left;">“<i>le aree più pesanti del mestiere</i>” come le chiamava <a href="https://it.wikipedia.org/wiki/Walter_Gropius" style="text-align: justify;" target="_blank">Walter Gropius</a>, e questo la costrinse a</span> scegliere a malincuore un corso dedicato alla tessitura.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In questo ambito cominciò immediatamente a fare ricerche avanzate su tecniche che combinavano proprietà di riflessione della luce, assorbimento del suono, durabilità del tessuto.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: inherit;">Paul Klee, in particolare, fu il suo riferimento principale:</span></div><div style="text-align: justify;"><i>"I watched what he did with a line, a point or a stroke
of the brush, and I tried to some extent to find my own direction through my
own material and artistic discipline,"</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiy_dWwXADF7UcECCW8Oi9gItEEK-fO4wkDze_YWVnxh11p215L8cgqAdOUAaEUSaIsLd-b-pB-7WaTgNbhVJB3ijSeqQMpQmmZOgQX5714ole_SUZLcHD2U-c_D5r09TnczhjQt_naOfAZF8bU7anA_mWV5Mul2EcQ9YLIcdp9PY3O7pLjIOnfqFfMPw=s960" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="768" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiy_dWwXADF7UcECCW8Oi9gItEEK-fO4wkDze_YWVnxh11p215L8cgqAdOUAaEUSaIsLd-b-pB-7WaTgNbhVJB3ijSeqQMpQmmZOgQX5714ole_SUZLcHD2U-c_D5r09TnczhjQt_naOfAZF8bU7anA_mWV5Mul2EcQ9YLIcdp9PY3O7pLjIOnfqFfMPw=w512-h640" width="512" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Josef & Anni Albers</td></tr></tbody></table><br /></div><div style="text-align: justify;">Anni intanto aveva incontrato Josef. Si sarebbero sposati nel 1925. Nella seconda metà degli anni '20, gli Albers condivisero insegnamento, ricerche artistiche e viaggi, in particolare in Spagna, Italia e Canarie. </div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRHO0s2JC62eR720J_24dZ5SEEoV_5OVM6ZIH-WOKdjbMPAV5RjgQZszzyy2SrGGGJnynRJ3w1A1F-FJ2aV4iO5JZblAH4joA7dKW0WZVDiiCw9SmmfDUrjUSwn7-4yoGzLAkC4-ypG0qS/s1810/1200px-Anni_Albers_%25281899%25E2%2580%25931994%2529%252C_Design_for_a_Silk_Tapestry%252C_1926.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1810" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRHO0s2JC62eR720J_24dZ5SEEoV_5OVM6ZIH-WOKdjbMPAV5RjgQZszzyy2SrGGGJnynRJ3w1A1F-FJ2aV4iO5JZblAH4joA7dKW0WZVDiiCw9SmmfDUrjUSwn7-4yoGzLAkC4-ypG0qS/w424-h640/1200px-Anni_Albers_%25281899%25E2%2580%25931994%2529%252C_Design_for_a_Silk_Tapestry%252C_1926.jpg" width="424" /></a></div><div><i style="text-align: justify;"><br /></i></div><div><i style="text-align: justify;">"What was most exciting about Bauhaus was that there was no teaching system yet in place. And you felt as if it depended only on you. You had to find your way of working in some way. </i></div><div><i style="text-align: justify;">That freedom is probably something essential that every student should experience."</i></div><p class="MsoNormal" style="text-align: justify;"><span style="text-align: left;">_ Anni Albers</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiviQxEbLrV6t_W0wDrCJZ0gEKYSsV7tMGCW9Hq1MnpOQQmrJcymWxAjp3VFNZCeldb2Z3sjTrPVpBL5MFv-jTgP7iah34vm-xDUsN2ukTXEMStvEuFDq8i9l2L22MLBpLMG5cbIEwxy5Cy/s537/Albers-Design%252Bfor%252BTablecloth%252B1930.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="537" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiviQxEbLrV6t_W0wDrCJZ0gEKYSsV7tMGCW9Hq1MnpOQQmrJcymWxAjp3VFNZCeldb2Z3sjTrPVpBL5MFv-jTgP7iah34vm-xDUsN2ukTXEMStvEuFDq8i9l2L22MLBpLMG5cbIEwxy5Cy/w596-h640/Albers-Design%252Bfor%252BTablecloth%252B1930.jpg" width="596" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX3xy_hAgpEGvZxXVtgWcHF2gng-Jz-EM1MB__HGjSQ7Whyphenhyphen8Onsx7y65Q28GWnGaF8GaexjtRO-1RNru-kkgg8we6uPEzlGzPIFH7Exhvz3o3sMgJVGkYl8d15pogeNJwAxsiePONdZin8/s1622/Anni+Albers%252C+Tapestry+-+1948.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1622" height="568" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX3xy_hAgpEGvZxXVtgWcHF2gng-Jz-EM1MB__HGjSQ7Whyphenhyphen8Onsx7y65Q28GWnGaF8GaexjtRO-1RNru-kkgg8we6uPEzlGzPIFH7Exhvz3o3sMgJVGkYl8d15pogeNJwAxsiePONdZin8/w640-h568/Anni+Albers%252C+Tapestry+-+1948.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div style="text-align: justify;"><span style="font-family: inherit;">Durante gli anni in North Carolina, le tessiture che i due coniugi sviluppavano, <span style="font-family: inherit;">furono oggetto di diverse mostre negli USA, culminando il successo di Anni con la mostra nel 1949
al MOMA.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: inherit;">Successivamente sarebbe stata assunta da <a href="https://it.wikipedia.org/wiki/Walter_Gropius" target="_blank">Walter Gropius</a>, trasferitosi anche lui negli Stati Uniti, per un incarico per Harvard dove era diventato Direttore della Scuola di Architettura. </span></div><div class="separator" style="clear: both; text-align: justify;"><p class="MsoNormal">Dal 1963, Anni si appassionò alle procedure di stampa ed incisione, dedicandosi da allora alla litografia e serigrafia. </p>
<p class="MsoNormal"><span style="font-family: inherit;">Nel 2018 la Tate Modern a Londra ha dedicato la mostra personale "</span><a href="https://www.tate.org.uk/whats-on/tate-modern/exhibition/anni-albers" style="font-family: inherit;" target="_blank">Anni Albers</a><span style="font-family: inherit;">", anche con lo scopo di restituire piena luce al suo talento e alla sua opera così articolata e innovativa.</span></p><p class="MsoNormal"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh78aYy4UGGlUbkYZ6_1ERQY47mhHCgF6vBTym9R4vzDtsJJ0ZLIuCScPyA2S_h-JxloSU3DvSRiP6SElR2a9PlVJ367bSfs0NP20vkLKf4n4o0hN-txgSKTTlixeut_InHVV0b13QNfqrmwHBiUIIOQrDUV-bDARU9kEVZ4K7WuEFvJLSy-Sh2hAvJQw=s1200" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1200" height="384" src="https://blogger.googleusercontent.com/img/a/AVvXsEh78aYy4UGGlUbkYZ6_1ERQY47mhHCgF6vBTym9R4vzDtsJJ0ZLIuCScPyA2S_h-JxloSU3DvSRiP6SElR2a9PlVJ367bSfs0NP20vkLKf4n4o0hN-txgSKTTlixeut_InHVV0b13QNfqrmwHBiUIIOQrDUV-bDARU9kEVZ4K7WuEFvJLSy-Sh2hAvJQw=w640-h384" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Anni Albers, "Six Prayers" - Tate Modern</td></tr></tbody></table><p></p><p class="MsoNormal"><i>At the heart of the beautifully designed, light and airy
exhibition of Anni Albers’s work at Tate Modern in London (until 27 January
2019), is a solemn, darker space. Here, you find Six Prayers (1966-67), a
six-part work commissioned by the Jewish Museum in New York to memorialise the
six million Jews who died in the Holocaust.</i></p><p class="MsoNormal">
<span style="font-family: inherit;">_ <a href="https://www.theartnewspaper.com/2018/10/18/a-monument-to-the-holocaust-in-textile-anni-alberss-six-prayers" target="_blank">The Art Newspaper</a></span></p><div class="separator" style="clear: both; text-align: justify;"><i><span style="font-family: inherit;">"Anni Albers combined the ancient craft of hand-weaving with
the language of modern art. </span></i><i style="font-family: inherit; text-align: left;">Hers
was a fight against restrictions and restraints: being forced into weaving,
having to work within the narrow lines of the loom, living in the shadow of her
husband. And at every turn, she weaved her own magic and triumphed"</i></div><div class="separator" style="clear: both; text-align: center;"><i style="font-family: inherit; text-align: left;"><br /></i></div></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUBtGA1AXcoeL49urApPQB_5XZgkZ5DeasRoLAlyIMfW6aC0FVCd49E0xONCG_9IHLNu0FlCOQMU-2SuMOoDU2au3F1HZifvYIf1vOBeLGrDpdMJ4oHwhSEyOfFdjEzdfkNPEwxlEx6VA6/s1020/4032.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="765" data-original-width="1020" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUBtGA1AXcoeL49urApPQB_5XZgkZ5DeasRoLAlyIMfW6aC0FVCd49E0xONCG_9IHLNu0FlCOQMU-2SuMOoDU2au3F1HZifvYIf1vOBeLGrDpdMJ4oHwhSEyOfFdjEzdfkNPEwxlEx6VA6/w640-h480/4032.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Photo: Oliver Wainwright</td></tr></tbody></table><div><div style="text-align: justify;"><b><span style="font-size: large;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-size: large;">- Parte 3</span></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Infine, non conoscevo affatto la <a href="https://albersfoundation.org/" target="_blank">Josef & Anni Albers Foundation</a>, fondata dai 2 coniugi nel 1971, che ha permesso la realizzazione di questa bellissima architettura appena inaugurata in Senegal.</div><div style="text-align: justify;"><i style="font-family: inherit;"><br /></i></div><div style="text-align: justify;"><i style="font-family: inherit;">"Un'organizzazione senza fini di lucro per promuovere "la rivelazione e l'evocazione della visione attraverso l'arte". Oggi questa organizzazione, la Josef and Anni Albers Foundation, si dedica a preservare e promuovere i risultati duraturi di Josef e Anni Albers e i principi estetici e filosofici in base ai quali hanno vissuto. Serve come un centro unico per la comprensione e l'apprezzamento delle arti e di tutta l'esperienza visiva, con al centro le eredità combinate di Josef e Anni Albers.</i></div><p class="MsoNormal" style="text-align: justify;"><i>La Fondazione svolge la sua missione lavorando a mostre e pubblicazioni, principalmente incentrate sull'arte di Josef e Anni Albers; assistenza nella ricerca; e sostenere l'istruzione. </i></p><div style="text-align: justify;"><i style="font-family: inherit;">Aiuta a sponsorizzare altre attività ispirate dagli interessi e dalle preoccupazioni di Josef e Anni Albers."</i></div><div style="text-align: justify;"><i style="font-family: inherit;">_</i><span style="font-family: inherit;">da The Albers Foundation</span></div><div><i style="font-family: inherit;"><br /></i></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFQ33xjDIE7pteXWYj4wxoagPVgOMpAXZwTphtKlrCYU5G7ks9OLMBaLJ8A5qhVHhkKfAsW8NUiuUIL218J6KM0sfc8P57X-gJ-oigi6OuoDe7ixCvgMNCqdpec_WllcV5J-48WEf6OeO6/s986/Josef+%2526+Alli+Albers+Foundation.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="475" data-original-width="986" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFQ33xjDIE7pteXWYj4wxoagPVgOMpAXZwTphtKlrCYU5G7ks9OLMBaLJ8A5qhVHhkKfAsW8NUiuUIL218J6KM0sfc8P57X-gJ-oigi6OuoDe7ixCvgMNCqdpec_WllcV5J-48WEf6OeO6/w640-h308/Josef+%2526+Alli+Albers+Foundation.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">© Josef Albers / © Anni Albers</td></tr></tbody></table></div></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXYz6SpEJ2tdzqsCS16rlaqZmf2MvrfnNjrK375CeHzvf3v-_9w_sKl2dkybRd81OHY36IMpGx3MrJZEIVs4U7nzEo-tr_34JgoOvp0WfatmKI-Bn9hJnXdpq5uUHMSPN4HPHpNMnTC9eA/s1499/Tambacounda_21-04_2553.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1499" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXYz6SpEJ2tdzqsCS16rlaqZmf2MvrfnNjrK375CeHzvf3v-_9w_sKl2dkybRd81OHY36IMpGx3MrJZEIVs4U7nzEo-tr_34JgoOvp0WfatmKI-Bn9hJnXdpq5uUHMSPN4HPHpNMnTC9eA/w640-h426/Tambacounda_21-04_2553.jpg" width="640" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKmj8n7-tsRm-Nh-OzZTzGne2GvPAIEoeRfHCGPXEk6kTEMr1sGbOOJymV8P-jis6DXdkhetT5abu-hZ7ieWapS0bgfnwjmzQao4-lgI59pKPfEAxKqinkPCxWEH0VW-12ajPhx6ooX4F4/s2048/manuel-herz-architects-iwan-baan-tambacounda-hospital+%25285%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1366" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKmj8n7-tsRm-Nh-OzZTzGne2GvPAIEoeRfHCGPXEk6kTEMr1sGbOOJymV8P-jis6DXdkhetT5abu-hZ7ieWapS0bgfnwjmzQao4-lgI59pKPfEAxKqinkPCxWEH0VW-12ajPhx6ooX4F4/w640-h426/manuel-herz-architects-iwan-baan-tambacounda-hospital+%25285%2529.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuZZOglC_VA2lEsbOu_uWaG8E_leSjwbDLlPLGdvqPeqyuUOI8ZpV0X0L5DIuCsuGHFEuC-WKb2Cv35MV_a8zoq40_Kk8DvkSj-2DreciH5GS48VmCq8Wl2aPmJeBswzKhH6U4SLqp42lc/s2048/manuel-herz-architects-iwan-baan-tambacounda-hospital+%25286%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1366" data-original-width="2048" height="427" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuZZOglC_VA2lEsbOu_uWaG8E_leSjwbDLlPLGdvqPeqyuUOI8ZpV0X0L5DIuCsuGHFEuC-WKb2Cv35MV_a8zoq40_Kk8DvkSj-2DreciH5GS48VmCq8Wl2aPmJeBswzKhH6U4SLqp42lc/w640-h427/manuel-herz-architects-iwan-baan-tambacounda-hospital+%25286%2529.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div style="text-align: justify;"><i>"We started by sitting down with the doctors and assessing what they actually needed – not just them but the staff, director and patients, as well as the craftsmen and constructors."</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>’The porous veil of bricks is a relatively common façade treatment in the east of Senegal, with the bricks themselves typically made on site."</i></div><i><o:p></o:p></i><p></p><p class="MsoNormal" style="text-align: justify;"><i>"The new clinic is S-shaped, snaking around and embracing the existing circular hospital buildings. A full-length corridor runs the length of the building, with the ventilated brick façade creating essential cross-ventilation. ‘It is its own little climate machine. There’s always a combination of sun and shade due to the shape of the curve. This creates temperature changes which in turn generate air movement and a microclimate.</i>"</p><p class="MsoNormal" style="text-align: left;">_ Arch. Manuel Hertz</p><p class="MsoNormal" style="text-align: left;"><span style="text-align: center;"><i>"It's important that everything was made locally"</i></span></p><p class="MsoNormal" style="text-align: justify;">Leading the construction process was Dr. Magueye Ba, a
medical doctor-turned-builder, who has overseen a number of Le Korsa's
projects.<o:p></o:p></p><p class="MsoNormal" style="text-align: justify;">Ba realised that a local village school was in need of a
classroom, so rather than simply building a test wall that would be demolished,
he made a little building for them, formed of several bays of the hospital. It
stands proudly on the edge of the village, its jaunty roofline poking up from
the grassy savanna, almost doubling the capacity of the school. Ba has since
used the hollow bricks on another kindergarten project, their distinctive
curved silhouette spawning something of a new local vernacular.</p><p class="MsoNormal" style="text-align: left;">
</p><p class="MsoNormal" style="text-align: left;"><i>"It's the perfect outcome," </i>says Herz. <i>"I'm
not in control any more—the design has taken on a life of its own."<o:p></o:p></i></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjoW3nfxIjmtqiqFjNORsVT005kRnUwlE5V_VMsE1-2ve2bwsNA0-1VeoxG3CD_tjuPotyAEka9R_mKdTG_VGy1NKefsZPCTtBv1SwMeuaNU2_0bHq3p44gEghMS5rEfG-7PD0BIz-xn8NelB6ESVRCRCz2KsYxkqIK1Wyi0oBxJtensMkDBV8EkKRoPQ=s1680" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1119" data-original-width="1680" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEjoW3nfxIjmtqiqFjNORsVT005kRnUwlE5V_VMsE1-2ve2bwsNA0-1VeoxG3CD_tjuPotyAEka9R_mKdTG_VGy1NKefsZPCTtBv1SwMeuaNU2_0bHq3p44gEghMS5rEfG-7PD0BIz-xn8NelB6ESVRCRCz2KsYxkqIK1Wyi0oBxJtensMkDBV8EkKRoPQ=w640-h426" width="640" /></a></div><div class="separator" style="clear: both; text-align: justify;"><i><br /></i></div><div class="separator" style="clear: both; text-align: justify;"><i>"In the maternity ward he was shown an “incubator” that consisted of a
tray on a table, where three newborns were huddled beneath a desk lamp"</i></div><div class="separator" style="clear: both; text-align: left;">_ Fox Weber</div><div class="separator" style="clear: both; text-align: center;"><p class="MsoNormal" style="text-align: left;"><o:p></o:p></p></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: inherit;">Fox Weber, lo storico dell'arte americano e direttore della Albers Foundation dalla morte di Josef nel 1976, decise di finanziare il progetto di un ospedale in Senegal, dopo un viaggio a Tambacounda: il suo dermatologo gli aveva raccontato di aver avviato una piccola organizzazione senza scopo di lucro, <i><a href="https://aflk.org/" target="_blank">Le Korsa</a>,</i> per aiutare gli ospedali in Senegal e Weber chiese di poter andare con lui nel prossimo viaggio nel paese.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: inherit;"><div class="separator" style="clear: both;"><i><br /></i></div><div class="separator" style="clear: both;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi9YEGVn5cgX3f8u3X6LhniqhDftk-I5dyEo6K5OJ48keXYjFF9QIYqSKdFvkg8Sy5kgL9rQkogz0I_8qbHOV9l48p61OaELNE3z7uWj9CsNC7q9xhD48lGhMLTztBq-aAC55t6q9oX3bRD76qFPDBcPvHPo7LmZ8VsRSUHj7Qu2TBjEQIAuEmHSAx90w=s1001" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="632" data-original-width="1001" height="253" src="https://blogger.googleusercontent.com/img/a/AVvXsEi9YEGVn5cgX3f8u3X6LhniqhDftk-I5dyEo6K5OJ48keXYjFF9QIYqSKdFvkg8Sy5kgL9rQkogz0I_8qbHOV9l48p61OaELNE3z7uWj9CsNC7q9xhD48lGhMLTztBq-aAC55t6q9oX3bRD76qFPDBcPvHPo7LmZ8VsRSUHj7Qu2TBjEQIAuEmHSAx90w=w400-h253" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i style="text-align: justify;"><a href="https://aflk.org/" target="_blank">Le Korsa</a> - Webpage</i></td></tr></tbody></table></div><div class="separator" style="clear: both;"><i style="font-family: inherit;"><br /></i></div><div class="separator" style="clear: both;"><span style="font-family: inherit;"><a href="https://aflk.org/" target="_blank">Le Korsa</a> è </span><i style="font-family: inherit;">"Dedicata al miglioramento dell'assistenza sanitaria e dell'istruzione nel Senegal orientale. D</i><i style="font-family: inherit;">al 2005 hanno costruito cliniche rurali, un rifugio per donne, un centro artistico e la prima scuola laica nella regione strettamente musulmana. </i></div><div class="separator" style="clear: both;"><i>Ci sono anche progetti per un nuovo museo, con l'architetto che sarà tratto da una rosa di candidati tutta africana. </i></div><div class="separator" style="clear: both;"><i>Quattro anni di lavoro, l'edificio ospedaliero da 2 milioni di euro (1,7 milioni di sterline) è il loro progetto più ambizioso finora."</i></div></span></div><div class="separator" style="clear: both; text-align: justify;"><i style="font-family: inherit; text-align: left;"><span style="font-family: inherit;"><br /></span></i></div><div class="separator" style="clear: both; text-align: justify;"><i style="font-family: inherit; text-align: left;"><span style="font-family: inherit;">"Il complesso mondo della filantropia nell'arte funziona in modi misteriosi. A cento anni da quando Anni e suo marito Josef Albers si sono incontrati alla scuola di design radicale di Weimar, la costruzione di un nuovo ospedale è stata resa possibile, a migliaia di chilometri di distanza, dalle somme sorprendenti a cui ora vende il loro lavoro, insieme al potere di raccolta fondi che deriva dal suo nome. Situato in uno dei luoghi più caldi del pianeta, ma progettato per funzionare senza aria condizionata, il risultato è un edificio che incarna perfettamente la filosofia del duo tedesco di "minimi mezzi, massimo effetto". Ed è successo quasi per caso."</span></i></div><div class="separator" style="clear: both; text-align: justify;"><i style="font-family: inherit; text-align: left;"><span style="font-family: inherit;"><br /></span></i></div><div class="separator" style="clear: both; text-align: justify;"><i style="text-align: left;"><span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnlMPt8kYTXdmVsNnq-br_AZ7y6h1YFAeHNaDKDznEb2YW8vbuJ8cqdB0Y6aPk2UIbCzLh1-5SHpq7cN8lqW0JDtyfffJ9wQSoONPHFks6W2bn4dbrTKFHxYY4_rXzhDuqk2eyRSswfvHH/s829/First+tour+with+the+nurses+and+the+%2523directrice+Dr.+Th%25C3%25A9r%25C3%25A8se-Aida+Ndiaye+of+the+Tambacounda+Hospital.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="829" data-original-width="829" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnlMPt8kYTXdmVsNnq-br_AZ7y6h1YFAeHNaDKDznEb2YW8vbuJ8cqdB0Y6aPk2UIbCzLh1-5SHpq7cN8lqW0JDtyfffJ9wQSoONPHFks6W2bn4dbrTKFHxYY4_rXzhDuqk2eyRSswfvHH/w640-h640/First+tour+with+the+nurses+and+the+%2523directrice+Dr.+Th%25C3%25A9r%25C3%25A8se-Aida+Ndiaye+of+the+Tambacounda+Hospital.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Dr. Ndiaye Therese Aida, Hospital Director<br /></td></tr></tbody></table><span style="font-family: inherit;"><br /></span></span></i></div><div class="separator" style="clear: both; text-align: justify;"><i style="text-align: left;"><span><span style="font-family: inherit;">"Lo spazio per uscire potrebbe non sembrare un'esigenza
ospedaliera urgente, ma un ricovero in ospedale a Tambacounda è un affare di famiglia. Il
campus vede persone riunite su ogni possibile superficie, con i parenti dei
pazienti fare il cibo, lavare i panni o riposare su stuoie di bambù.</span>
<p class="MsoNormal"><i><span style="font-family: inherit;">“È un grosso problema”, afferma la dott.ssa
Thérèse-Aida Ndiaye, direttrice dell'ospedale dal 2016. “Ogni paziente arriva
con quattro o cinque membri della famiglia, che portano le proprie abitudini.
Di recente ho trovato un parente che faceva la doccia qui. Siamo un ospedale,
non una casa". </span></i></p><p class="MsoNormal" style="color: red;"><i><span style="color: red;"><a href="https://www.theguardian.com/artanddesign/2021/nov/11/bauhaus-africa-hospital-senegal-inspired-anni-josef-albers?CMP=Share_iOSApp_Other" style="font-style: normal; text-align: justify;" target="_blank">O. Weinwright on The Guardian</a></span></i></p><p class="MsoNormal" style="color: red;"><i></i></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-_Q_nLzfUWR-4HBF1ssyL0h3YKbiCCpRk6L2CTjoefMBJKSfhQ5yQpvxz4fcf8y3Z6NNHwsZBUIJy0w_bGqKPhyk12Z9tX28p9OoAA1W4yWYVxFbM3UMYfN6BLu2X2XYeDIltAOE0m0K4/s613/biographies_01.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="613" data-original-width="465" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-_Q_nLzfUWR-4HBF1ssyL0h3YKbiCCpRk6L2CTjoefMBJKSfhQ5yQpvxz4fcf8y3Z6NNHwsZBUIJy0w_bGqKPhyk12Z9tX28p9OoAA1W4yWYVxFbM3UMYfN6BLu2X2XYeDIltAOE0m0K4/s16000/biographies_01.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Josef & Anni Albers<br /></td></tr></tbody></table></span></i></div></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><blockquote class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/0sySfGPwGw/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14" style="background: rgb(255, 255, 255); border-radius: 3px; border: 0px; box-shadow: rgba(0, 0, 0, 0.5) 0px 0px 1px 0px, rgba(0, 0, 0, 0.15) 0px 1px 10px 0px; margin: 1px; max-width: 540px; min-width: 326px; padding: 0px; width: calc(100% - 2px);"><div style="padding: 16px;"><div style="align-items: center; background: rgb(255, 255, 255); display: flex; flex-direction: row; line-height: 0; padding: 0px; text-align: center; text-decoration: none; width: 100%;"> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; text-align: center; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; text-align: center; width: 60px;"></div></div></div><div style="background: rgb(255, 255, 255); line-height: 0; padding: 19% 0px; text-align: center; text-decoration: none; width: 100%;"></div> <div style="background: rgb(255, 255, 255); display: block; height: 50px; line-height: 0; margin: 0px auto 12px; padding: 0px; text-align: center; text-decoration: none; width: 50px;"><svg height="50px" version="1.1" viewbox="0 0 60 60" width="50px" xmlns:xlink="https://www.w3.org/1999/xlink" xmlns="https://www.w3.org/2000/svg"><g fill-rule="evenodd" fill="none" stroke-width="1" stroke="none"><g fill="#000000" transform="translate(-511.000000, -20.000000)"><g><a href="https://www.instagram.com/p/0sySfGPwGw/?utm_source=ig_embed&utm_campaign=loading" style="background: rgb(255, 255, 255); line-height: 0; padding: 0px; text-align: center; text-decoration: none; width: 100%;" target="_blank"><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></a></g></g></g></svg></div><div style="background: rgb(255, 255, 255); line-height: 0; padding: 8px 0px 0px; text-align: center; text-decoration: none; width: 100%;"> <div style="color: #3897f0; font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px; text-align: center;"><a href="https://www.instagram.com/p/0sySfGPwGw/?utm_source=ig_embed&utm_campaign=loading" style="background: rgb(255, 255, 255); line-height: 0; padding: 0px; text-align: center; text-decoration: none; width: 100%;" target="_blank">Visualizza questo post su Instagram</a></div></div><div style="background: rgb(255, 255, 255); line-height: 0; padding: 12.5% 0px; text-align: center; text-decoration: none; width: 100%;"></div> <div style="align-items: center; background: rgb(255, 255, 255); display: flex; flex-direction: row; line-height: 0; margin-bottom: 14px; padding: 0px; text-align: center; text-decoration: none; width: 100%;"><div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; text-align: center; transform: translateX(0px) translateY(7px); 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text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/0sySfGPwGw/?utm_source=ig_embed&utm_campaign=loading" style="color: #c9c8cd; font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">Un post condiviso da Fabio Barilari (@fabio_barilari)</a></p></div></blockquote> <script async="" src="//www.instagram.com/embed.js"></script>
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border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0px;"></div> <div style="display: block; height: 50px; margin: 0px auto 12px; width: 50px;"><svg height="50px" version="1.1" viewbox="0 0 60 60" width="50px" xmlns:xlink="https://www.w3.org/1999/xlink" xmlns="https://www.w3.org/2000/svg"><g fill-rule="evenodd" fill="none" stroke-width="1" stroke="none"><g fill="#000000" transform="translate(-511.000000, -20.000000)"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">Visualizza questo post su Instagram</div></div><div style="padding: 12.5% 0px;"></div> <div style="align-items: center; display: flex; flex-direction: row; margin-bottom: 14px;"><div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; transform: translateX(0px) translateY(7px); width: 12.5px;"></div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12.5px; margin-left: 2px; margin-right: 14px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px;"></div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; transform: translateX(9px) translateY(-18px); width: 12.5px;"></div></div><div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style="border-bottom: 2px solid transparent; border-left: 6px solid rgb(244, 244, 244); border-top: 2px solid transparent; height: 0px; transform: translateX(16px) translateY(-4px) rotate(30deg); width: 0px;"></div></div><div style="margin-left: auto;"> <div style="border-right: 8px solid transparent; border-top: 8px solid rgb(244, 244, 244); transform: translateY(16px); width: 0px;"></div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; transform: translateY(-4px); width: 16px;"></div> <div style="border-left: 8px solid transparent; border-top: 8px solid rgb(244, 244, 244); height: 0px; transform: translateY(-4px) translateX(8px); width: 0px;"></div></div></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"></div></div></a><p style="color: #c9c8cd; font-family: Arial, sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0px; margin-top: 8px; overflow: hidden; padding: 8px 0px 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a href="https://www.instagram.com/p/0syQYpvwGr/?utm_source=ig_embed&utm_campaign=loading" style="color: #c9c8cd; font-family: Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank">Un post condiviso da Fabio Barilari (@fabio_barilari)</a></p></div></blockquote>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-50447513320644009032022-02-06T14:18:00.001+01:002022-02-06T14:18:02.438+01:00Rothko, No. 210/No. 211 (Orange)<p style="text-align: center;"> <iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/qHSS-Ztxc0c" title="YouTube video player" width="560"></iframe></p><div style="text-align: left;"><i>"How is it possible to touch the spiritual in our modern age"</i></div><div style="text-align: left;"><i><br /></i></div><div style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiT6ylyMD1PfY-JCsuK-5_gA8eVuBdthLGv56KSJ8L91sESt6b28Y7SAZgLum5_kueDfHGJ8M4IHZiols5RHCdfXXHTHZVUh8rNKSmtU44evSQwPoSGf5rFaJPpENv_4IaN5W8GOgUhWXa_wCsddjK0gzU1s7ysJJ2xAHvC45y-oUyEHA7rJ9VNz_hvlw=s4256" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2779" data-original-width="4256" height="418" src="https://blogger.googleusercontent.com/img/a/AVvXsEiT6ylyMD1PfY-JCsuK-5_gA8eVuBdthLGv56KSJ8L91sESt6b28Y7SAZgLum5_kueDfHGJ8M4IHZiols5RHCdfXXHTHZVUh8rNKSmtU44evSQwPoSGf5rFaJPpENv_4IaN5W8GOgUhWXa_wCsddjK0gzU1s7ysJJ2xAHvC45y-oUyEHA7rJ9VNz_hvlw=w640-h418" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEih5bhwp-V4aM1qbyvLKyom5HnqdlLWHkxC5TecLp8tw2Zzvy73bluEm79pJ4C6tyy8n9beKHEirCZx8n7yQuh8cywqSNlerj7yE9mH81VKbY487EIr6cOKmOZ42x7heMnGLz3wdcJOfeLr7BPfOM91wP9ZXe2fCTgxPIsEnlNtGmoAZKHPjMZlhFAZIg=s1920" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/a/AVvXsEih5bhwp-V4aM1qbyvLKyom5HnqdlLWHkxC5TecLp8tw2Zzvy73bluEm79pJ4C6tyy8n9beKHEirCZx8n7yQuh8cywqSNlerj7yE9mH81VKbY487EIr6cOKmOZ42x7heMnGLz3wdcJOfeLr7BPfOM91wP9ZXe2fCTgxPIsEnlNtGmoAZKHPjMZlhFAZIg=w640-h360" width="640" /></a></div><br /><i><br /></i></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.comtag:blogger.com,1999:blog-3287563045069304771.post-14389520362522610082021-12-30T20:49:00.002+01:002021-12-30T20:49:47.657+01:00Coney Island Baby<p style="text-align: center;"> <iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/rBpXJ8_WMqU" title="YouTube video player" width="560"></iframe></p><div style="text-align: center;"><p class="MsoNormal" style="text-align: left;">The album has been described by Anthony DeCurtis as
"perhaps the most romantic album of Reed's career". Many of the
album's songs were inspired by and dedicated to Reed's girlfriend and muse at
the time, a trans woman named Rachel Humphreys. <o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;">According to Aidan Levy, Coney Island Baby was
"as much a love letter to Rachel as it was to the nostalgic Coney Island of
the mind." <o:p></o:p></p>
<p class="MsoNormal" style="text-align: left;">The album's title track directly references Rachel with the
line: "I'd like to send this one out to Lou and Rachel, and all the kids
at P.S. 192.". "P.S. 192" refers to P.S. 192 – which at
that time was a public school for kindergarten to 6th grade, in Brooklyn, New
York City, where Reed went to school before moving to Long Island. In 1979
Reed said "Saying 'I'm a Coney Island baby' at the end of that song is
like saying I haven't backed off an inch. And don't you forget it." It
is a direct continuation of the poem "The Coach and Glory of Love"
published in the Fall 1971 edition of The Harvard Advocate.<o:p></o:p></p><p class="MsoNormal" style="text-align: left;">_ from <a href="https://en.wikipedia.org/wiki/Coney_Island_Baby" target="_blank">Wikipedia</a></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEggMJo5koQo2YHTY7qo2CZxgBNIuSzpjpCUyXPCjPW_sFAMGEbo2AA9s7bzPc1MM_nrqz1IGsffc7WbQRqpH59RBEYcubc_s5QEyYaLhCaMlexNky4640j2YLcGiorBmpbE4uj9zaNiq6JwduONtCJxrwxo4FtAvZqmOngr1Ev50riqT0EVTgVio79R-g=s1280" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/a/AVvXsEggMJo5koQo2YHTY7qo2CZxgBNIuSzpjpCUyXPCjPW_sFAMGEbo2AA9s7bzPc1MM_nrqz1IGsffc7WbQRqpH59RBEYcubc_s5QEyYaLhCaMlexNky4640j2YLcGiorBmpbE4uj9zaNiq6JwduONtCJxrwxo4FtAvZqmOngr1Ev50riqT0EVTgVio79R-g=w640-h360" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Lou and Rachel</td></tr></tbody></table></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj2AoDXq9OMov-baOGM0BHbBWRlMIaRrzgNK5mlmLaO41ez3CBsx1noVc7VZq5OHulhDfUsD5YKMn3NrgAvhHG3k1S9KUfkWSN5BHi3umxnTvl2VLNkKL1P4ZMVwQ9pwHWjEE2IylZqTNeRMHOM6PBK5czvKhGnwt_E0Y6FaB-ZRv2zUVlPIocu_uz-6w=s720" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="488" data-original-width="720" height="434" src="https://blogger.googleusercontent.com/img/a/AVvXsEj2AoDXq9OMov-baOGM0BHbBWRlMIaRrzgNK5mlmLaO41ez3CBsx1noVc7VZq5OHulhDfUsD5YKMn3NrgAvhHG3k1S9KUfkWSN5BHi3umxnTvl2VLNkKL1P4ZMVwQ9pwHWjEE2IylZqTNeRMHOM6PBK5czvKhGnwt_E0Y6FaB-ZRv2zUVlPIocu_uz-6w=w640-h434" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p class="MsoNormal"><span style="font-family: inherit;">Lou Reed and John Cale, NY 1977 - Christmas<o:p></o:p></span></p></td></tr></tbody></table><div style="text-align: center;"><br /></div>Fabio Barilarihttp://www.blogger.com/profile/14279384573763767087noreply@blogger.com