mercoledì 10 dicembre 2014

The unsettling beauty of creativity # 01


(1973 - Tucumán, Argentina)
Education: Postgraduate in Art & Architecture, Staatliche Hochschule für Bildende Kunst, Frankfurt, Germany
Postgraduate in Art & Architecture, Escuela Superior de bellas Ares de la Nación Ernesto de la Carcova, Buenos Aires,
UBA- Degree Architect, Universidad Nacional de Buenos Aires, Argentina, 1999

From ''The Creators Project''

Argentinian artist Tomás Saraceno is known for his fantastic sculptures and installations that merge art, architecture, and science. Saraceno's work draws on his training as an architect, exploring materials, man-made and natural structures, and the potential for a space. His spectacular works are dreamy and experimental, compelling viewers to re-imagine the world and its possibilities.
Saraceno is the winner of the Calder Prize and was artist-in-residence at the International Space Studies Program of NASA in summer 2009. In 2012, has constructed installation Cloud City for the roof of the Metropolitan Museum of Art in New York, creating a complex network of transparent and reflective planes that disrupted the space while heightening the elements around it - the viewers, the sky, and Central Park.


Beyond this all too immediate aesthetic impression of a technological reconstruction of nature’s magisterial beauty, Saraceno is operating more metaphorically.
(his projects) are intended as an exegesis of Air-Port-Cities, which Saraceno outlined in an interview with Hans Ulrich Obrist as: ‘a flying airport […] This structure seeks to challenge today’s political, social, cultural and military restrictions in an attempt to re-establish new concepts of synergy. 
Up in the sky there will be this cloud, a habitable platform that floats in the air, changing form and merging with other platforms just as clouds do. 
It will fly through the atmosphere pushed by the winds, both local and global, in an attempt to equalize the (social) temperature and differences in pressure.’